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Artista: David, Jacques-Louis
David, Jacques-Louis The Arrival at the oil painting picture wholesale


David, Jacques-Louis The Arrival at the oil painting picture wholesale

Pintura Identificación::  62526
David, Jacques-Louis
The Arrival at the
brown and black ink with white highlights, 262 x 408 mm Mus?e du Louvre, Paris The Arrival at the H?tel de Ville was one of the commemorative works planned by David. Author: DAVID, Jacques-Louis Title: The Arrival at the H?tel de Ville Form: graphics , 1801-1850 , French , historical
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Artista: Eugene Delacroix
Eugene Delacroix The Death of Ophelia oil painting picture wholesale


Eugene Delacroix The Death of Ophelia oil painting picture wholesale

Pintura Identificación::  62527
Eugene Delacroix
The Death of Ophelia
181 x 255 mm Mus?e Eug?ne Delacroix, Paris Touched by the story of Ophelia's madness and death, Delacroix contrived to express in her death-scene a Shakespearean tribute to the suffering of humanity. Author: DELACROIX, Eug?ne Title: The Death of Ophelia Form: graphics , 1801-1850 , French , other
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Artista: Eugene Delacroix
Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting picture wholesale


Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting picture wholesale

Pintura Identificación::  62528
Eugene Delacroix
Hamlet and Horatio in the Graveyard
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other
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Artista: unknow artist
unknow artist The Fury of Athamas oil painting picture wholesale


unknow artist The Fury of Athamas oil painting picture wholesale

Pintura Identificación::  62529
unknow artist
The Fury of Athamas
1790-94 Marble Ickworth, Suffolk The marble group depicts the dramatic moment when Athamas, King of Thebes, snatches his son Learchus from his mother and smashes him against a wall. The fact that Ino, his second wife, thirsted for the blood of his children by her first wife had driven him mad. Author: FLAXMAN, John Title: The Fury of Athamas Form: sculpture , 1751-1800 , English , mythological
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Artista: unknow artist
unknow artist Cain and his Children Accursed of God oil painting picture wholesale


unknow artist Cain and his Children Accursed of God oil painting picture wholesale

Pintura Identificación::  62530
unknow artist
Cain and his Children Accursed of God
height 204 cm Chapel of the Salp?tri?re Hospital, Paris Although Romanticism made its appearance in painting from 1820 onwards, there was a gap of ten years before it was expressed in sculpture at the Salon of 1831 by Duseigneur's Orlando Furioso, with its bulging muscles and twisted limbs, and the Tiger and Crocodile by Barye. These works were soon followed by Etex's Cain, executed in Rome, as a bravado gesture because he did not win the Grand Prix, and by the creations of Pr?ault. Author: ETEX, Antoine Title: Cain and his Children Accursed of God Form: sculpture , 1801-1850 , French , religious
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Artista: unknow artist
unknow artist Blanche de Castille oil painting picture wholesale


unknow artist Blanche de Castille oil painting picture wholesale

Pintura Identificación::  62531
unknow artist
Blanche de Castille
1837 Marble, height 154 cm Ch?teau, Versailles During the reigns of Louis XVIII Louis Philippe, many commissions were given to various artists to execute statues of great men and women who played an important role in the history of France. These statues were placed in the Ch?teau de Versailles and in the Luxembourg Gardens in Paris. This statue was placed on the first floor of the north wing of the Ch?teau. Author: ETEX, Antoine Title: Blanche de Castille Form: sculpture , 1801-1850 , French , historical
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Artista: unknow artist
unknow artist Dagobert oil painting picture wholesale


unknow artist Dagobert oil painting picture wholesale

Pintura Identificación::  62532
unknow artist
Dagobert
Versailles Jean-Bernard, known as Jehan, Duseigneur was a French Romantic sculptor. During the reigns of Louis XVIII Louis Philippe, many commissions were given to various artists to execute statues of great men and women who played an important role in the history of France. These statues were placed in the Ch?teau de Versailles and in the Luxembourg Gardens in Paris. This statue was placed on the first floor of the north wing of the Ch?teau. Author: DUSEIGNEUR, Jehan Title: Dagobert Form: sculpture , 1801-1850 , French , historical
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Artista: Carl Philipp Fohr
Carl Philipp Fohr Portrait of Heinrich Karl Hofmann oil painting picture wholesale


Carl Philipp Fohr Portrait of Heinrich Karl Hofmann oil painting picture wholesale

Pintura Identificación::  62533
Carl Philipp Fohr
Portrait of Heinrich Karl Hofmann
1816 Pen on pencil on bright brownish paper, 254 x 212 mm Staatsgalerie, Stuttgart Like all German artists, Fohr preferred whole or three-quarters figures in the tradition of D?rer and Holbein. In his hometown of Heidelberg he portrayed one of the first proponents of German unity, the lawyer and journalist Heinrich Karl Hofmann. Space, setting, clothing and other such details played a subordinate role in Romantic portraits. Here, the artist concentrated on the face and eyes as the essential expressive elements Author: FOHR, Carl Philipp Title: Portrait of Heinrich Karl Hofmann Form: graphics , 1801-1850 , German , portrait
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Artista: James Gillray
James Gillray The Blood of the Murdered Crying for Vengeance oil painting picture wholesale


James Gillray The Blood of the Murdered Crying for Vengeance oil painting picture wholesale

Pintura Identificación::  62535
James Gillray
The Blood of the Murdered Crying for Vengeance
1793 Etching New College, Oxford University, Oxford When the news of the execution of Louis XVI in Paris arrived in London, even the liberal supporters of the Revolution changed their opinion and felt that anarchy and violence replaced the ideals of freedom and equality. Author: GILLRAY, James Title: The Blood of the Murdered Crying for Vengeance Form: graphics , 1751-1800 , English , other
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Artista: Blake, William
Blake, William Nebuchadnezzar oil painting picture wholesale


Blake, William Nebuchadnezzar oil painting picture wholesale

Pintura Identificación::  62536
Blake, William
Nebuchadnezzar
1795 Copper engraving with pen and ink and watercolour, 446 x 620 mm Tate Gallery, London Blake produced in the mid-1790s a series of large colour prints on themes of oppression, one of which is Nebuchadnezzar. This plate depicts the animal state to which man had been reduced after the Fall, so vividly personified in the crouching form and sullen stare of his Nebuchadnezzar. Author: BLAKE, William Title: Nebuchadnezzar Form: graphics , 1751-1800 , English , other
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Artista: Honore Daumier
Honore Daumier Guizot or the Bore oil painting picture wholesale


Honore Daumier Guizot or the Bore oil painting picture wholesale

Pintura Identificación::  62537
Honore Daumier
Guizot or the Bore
1832-33 Painted clay, height 22 cm Mus?e d'Orsay, Paris The busts of the Parliamentarians was commissioned in 1832 by Charles Philipon, the director of La Caricature, and executed during actual sittings of the Chambre des D?put?s. These busts mark a total break with the tradition of the neoclassical portrait.Helped by acute powers of observation and a remarkably expressive talent as a draughtsman and modeller, Daumier tried to reveal the deep truth of his models through an uncompromising image enhanced by exaggeration and polychromy.. Author: DAUMIER, Honor? Title: Guizot or the Bore Form: sculpture , 1801-1850 , French , other
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Artista: William Blake
William Blake Hecate or the Three Fates oil painting picture wholesale


William Blake Hecate or the Three Fates oil painting picture wholesale

Pintura Identificación::  62538
William Blake
Hecate or the Three Fates
1795 Pen and ink with watercolour, 430 580 mm Tate Gallery, London Recently the painting is called The Night of Enitharmon's Joy. The many titles show the many levels of meaning, or the impenetrable mystery of Blake's work. Author: BLAKE, William Title: Hecate or the Three Fates Form: graphics , 1751-1800 , English , mythological
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Artista: William Blake
William Blake Los Entering the Grave oil painting picture wholesale


William Blake Los Entering the Grave oil painting picture wholesale

Pintura Identificación::  62539
William Blake
Los Entering the Grave
1804-20 Etching with pen, watercolour and gold, 220 x 160 mm Yale Center for British Art, New Haven This is the frontispiece of the illustrated poem Jerusalem. In the coloured version of the frontispiece to his Jerusalem, Blake placed the thorns of the Passion beneath his own personification, Los, as he steps bravely through a door into a dark, grave-like void. This is not an end but the beginning: Los has embarked on an adventure, one hand raised in greeting and the other holding a blazing sun to illuminate the truths to be revealed in the following pages. Author: BLAKE, William Title: Los Entering the Grave Form: graphics , 1751-1800 , English , mythological
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Artista: Blake, William
Blake, William The Descent of Christ oil painting picture wholesale


Blake, William The Descent of Christ oil painting picture wholesale

Pintura Identificación::  62540
Blake, William
The Descent of Christ
1804-20 Etching with pen, watercolour and gold, 219 x 159 mm Yale Center for British Art, New Haven This is Plate 35 of the illustrated poem Jerusalem. In this early page of Jerusalem, the sleeping Albion is visited by Christ, who awakens his dormant desire for salvation. Though Albion is not yet conscious of Christ's sacrifice, its promise is foreshadowed by the new body that begins to emerge from his breast. Author: BLAKE, William Title: The Descent of Christ Form: graphics , 1751-1800 , English , religious
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Artista: Blake, William
Blake, William Los 1804-20 Etching with pen oil painting picture wholesale


Blake, William Los 1804-20 Etching with pen oil painting picture wholesale

Pintura Identificación::  62541
Blake, William
Los 1804-20 Etching with pen
watercolour and gold, 146 x 222 mm Yale Center for British Art, New Haven This is Plate 100 of the illustrated poem Jerusalem. Trained as an engraver, Blake evolved into a shamanic figure - mystic, philosopher, priest - compelled to set his visions before the world. They took the form of epic, quasi-biblical dramas of spiritual redemption. He increasingly eschewed conventional media and published them in 'Prophetic Books' written and illuminated himself by processes of colour printing. In his Prophetic Books, the character of Los exemplifies the artist's roles as seer, mystic and interpreter. The author of all art and literature, architect of a City of Art, Los is responsible for everything mankind sees and senses. In Jerusalem he takes various forms, from a London nightwatchman to a blacksmith at his forge, but he is also Blake himself. When the narrative reaches its last page, Los rests from his smithy, but a temple of false religion is already extending to cover the land behind him as night follows day. Author: BLAKE, William Title: Los Form: graphics , 1751-1800 , English , mythological
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Artista: Blake, William
Blake, William Christ as the Redeemer of Man oil painting picture wholesale


Blake, William Christ as the Redeemer of Man oil painting picture wholesale

Pintura Identificación::  62542
Blake, William
Christ as the Redeemer of Man
1808 Pen and watercolour, 496 x 393 mm Museum of Fine Arts, Boston Blake's visionary drawing style is demonstrated in this illustration to Milton's Paradise Lost, III. Christ floats in the air before God the Father, the position of his body referring to his death on the cross. The expressive, outsized hands of his father touch him lightly. Four angels accompany Christ on his way to EEarth. The unremitting movement contains tension. Even in terms of colour the divine realm is divided from the void, in which Satan, armed with a spear, attempts to prevent God's plan of redemption for the world. The scene is characterized by symmetry and repetition, and is not only illuminated by the artist's technique, but is also enlightened spiritually. Author: BLAKE, William Title: Christ as the Redeemer of Man Form: graphics , 1751-1800 , English , religious
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Artista: Blake, William
Blake, William Elisha in the Chamber on the Wall oil painting picture wholesale


Blake, William Elisha in the Chamber on the Wall oil painting picture wholesale

Pintura Identificación::  62543
Blake, William
Elisha in the Chamber on the Wall
1820 Sepia wash over pencil, 243 x 210 mm Tate Gallery, London Among Blake's metaphors for creative vision was the Old Testament prophet Elisha, foretelling her future son to the Shunammite woman who had given him a room for his meditations. There can be little doubt that Blake's bearded seer in his chamber was a more revealing record of himself and his art than a literal portrayal of his features could ever be. Author: BLAKE, William Title: Elisha in the Chamber on the Wall Form: graphics , 1751-1800 , English , religious
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Artista: Antonio Canova
Antonio Canova The Three Graces Dancing oil painting picture wholesale


Antonio Canova The Three Graces Dancing oil painting picture wholesale

Pintura Identificación::  62546
Antonio Canova
The Three Graces Dancing
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
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Artista: CORNELIUS, Peter
CORNELIUS, Peter The Vision of the Rabenstein oil painting picture wholesale


CORNELIUS, Peter The Vision of the Rabenstein oil painting picture wholesale

Pintura Identificación::  62550
CORNELIUS, Peter
The Vision of the Rabenstein
1811 Pen drawing with gray ink on thin vellum, 393 x 516 mm St?delsches Kunstinstitut, Frankfurt This drawing is part of illustrations by Cornelius to Goethe's Faust. The vividly executed pen and ink drawing shows Cornelius's technique, which was taken from that of copperplate engravings. Author: CORNELIUS, Peter Title: The Vision of the Rabenstein Form: graphics , 1801-1850 , German , other
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Artista: CORNELIUS, Peter
CORNELIUS, Peter The Riders of the Apocalypse oil painting picture wholesale


CORNELIUS, Peter The Riders of the Apocalypse oil painting picture wholesale

Pintura Identificación::  62551
CORNELIUS, Peter
The Riders of the Apocalypse
1845 Drawing, 472 x 588 cm Staatliche Museen, Berlin This drawing is a study to a monumental fresco. Author: CORNELIUS, Peter Title: The Riders of the Apocalypse Form: graphics , 1801-1850 , German , religious
(new21/CORNELIUS, Peter-267236.jpg)

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