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Artista: GRECO, El
GRECO, El The Crucifixion oil painting picture wholesale


GRECO, El The Crucifixion oil painting picture wholesale

Pintura Identificación::  62336
GRECO, El
The Crucifixion
1596-1600 Oil on canvas, 312 x 169 cm Museo del Prado, Madrid Christ on the Cross, at the moment of expiration, with the Virgin and Saint John, and at the foot of the Cross, the Magdalene. Probably originally above the Annunciation, in the retable of the Colegio of Do?a Mar?a. This painting and the Annunciation are the two widest of the series. Already, in Santo Domingo el Antiguo, the artist had sensibly related together in composition the two central paintings of the high altar, the Assumption and Trinity. Again, there is this compositional relationship of the two paintings, but there is also something more in this bringing together of the two so diverse yet intimately related themes of the Virgin's reception of the Holy Ghost, and Christ's giving up of the Holy Ghost. One subject represents one of the Joys of the Virgin, and the other incorporates one of Her Griefs. Each painting is divided horizontally in three. The figure of Christ of the Expiration is a continuation upwards of the central zone of the Annunciation with the Flames and the Dove; the figure of the Archangel Gabriel has its counterpart in the figure of Saint John; and the Virgin of Joy appears above as the Virgin of Grief. This painting of the Crucifixion is one of the great interpretations of the subject in painting and almost inevitably brings to mind two other great Crucifixions, Gr?newald's of the Isenheim Altar and Giotto's of the Arena Chapel. El Greco has introduced more of those symbols embodying spiritual emotions: the clamouring angels with outstretched arms encircling the Body of Christ - strangely recalling Giotto's painting - and the remarkable figure of the angel at the foot of the Cross. Author: GRECO, El Title: The Crucifixion , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Holy Family with oil painting picture wholesale


GRECO, El Holy Family with oil painting picture wholesale

Pintura Identificación::  62339
GRECO, El
Holy Family with
138 x 103,5 cm Museum of Fine Arts, Budapest A repetition painted after the original made for the Hospital de Tavera in Toledo in 1595. Author: GRECO, El Title: Holy Family with St Anne , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El St Ildefonso oil painting picture wholesale


GRECO, El St Ildefonso oil painting picture wholesale

Pintura Identificación::  62340
GRECO, El
St Ildefonso
112 x 65 cm National Gallery of Art, Washington This is a smaller replica of the picture in the Hospital de la Caridad in Illescas. It belonged once to the painter Jean Francois Millet, and later to Edgar Degas. The original painting is in the side altar on the left of the main chapel of the church, balancing the Virgin of Charity. Its original place in the church is not known. The painting is not mentioned in the incomplete documentation for the decoration of the chapel, and if, as is probable, it was not painted at the same time, it cannot date much before June 1603, the date of the contract, and was more likely painted soon after the conclusion of litigation in August 1607. In its present position, it makes a grand pair to the Virgin of Charity, and is one of the most splendid of his 'portraits' of Saints. It is difficult, and perhaps not proper, to separate his portraits of Saints from his actual portraits. In both he employs all his means of spiritual or psychological expression. The legend is that Saint Ildefonso, the first Bishop of Toledo, presented an image of the Virgin of the Mantle to a foundation of his in Illescas. The Saint is portrayed before the same image, as he wrote his dissertation on the Purity of the Virgin. The state of inspiration is brilliantly expressed. There is an infinite distinction in expression between the hand poised with the pen in this 'portrait' and the similar motif in the portrait of his son. Author: GRECO, El Title: St Ildefonso , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Christ c oil painting picture wholesale


GRECO, El Christ c oil painting picture wholesale

Pintura Identificación::  62341
GRECO, El
Christ c
98 x 78 cm Cathedral, Toledo This painting belongs to the series of Apostles (Apostolodos) in the Toledo Cathedral. Author: GRECO, El Title: Christ , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Penitent Magdalen oil painting picture wholesale


GRECO, El Penitent Magdalen oil painting picture wholesale

Pintura Identificación::  62342
GRECO, El
Penitent Magdalen
118 x 105 cm Private collection Autograph version, signed 'dom?nikos theot?kopoulos epoiei'. It is a late composition of the artist, recalling the iconography of Titian. Author: GRECO, El Title: Penitent Magdalen , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El The Agony in the Garden oil painting picture wholesale


GRECO, El The Agony in the Garden oil painting picture wholesale

Pintura Identificación::  62343
GRECO, El
The Agony in the Garden
1608 Oil on canvas Museum of Fine Arts, Budapest Author: GRECO, El Title: The Agony in the Garden (detail) , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Apostle St Andrew oil painting picture wholesale


GRECO, El Apostle St Andrew oil painting picture wholesale

Pintura Identificación::  62345
GRECO, El
Apostle St Andrew
97 x 77 cm Museo de El Greco, Toledo Apostle, was brother of Peter, a Galilean fisherman, and the first to follow Christ (John 1:40-41). The gospels contribute little to his iconography; the chief source is the apocryphal book of the 'Acts of Andrew' (3rd century), retold in the Golden Legend. According to this he made missionary journeys to Scythian Russia, Asia Minor and Greece, preaching and performing many acts of healing. At Nicaea he delivered the inhabitants from seven demons who plagued them in the shape of dogs. At Thessalonica the parents of a young man whom he had converted to Christianity set fire to his house, with Andrew and their son in it. When the young man miraculously extinguished the fire by sprinkling a small bottle of water over the flames, his parents, still seeking vengeance, tried to enter the house by climbing ladders, but were immediately struck blind. The Golden Legend tells of a bishop dining with the devil, disguised as a courtesan. Just as he was about to yield to Satan, Andrew entered in the garb of a pilgrim, and drove the devil away. Andrew was executed by Egeas, the Roman governor of Patras in the Peloponnese. The governor's wife, Maximilla, being cured of a fatal sickness by the apostle, adopted Christianity and was persuaded by him to deny her husband his marital rights ever again. This, and not his preaching, seems to have been the cause of Andrew's imprisonment and subsequent crucifixion. Andrew is the patron saint of Greece and Scotland. Among differing accounts of his relics, one tells of their being carried to the town of St Andrews in Scotland in the 4th century. Apostle St Andrew in Art He is usually portrayed as an old man, white-haired and bearded. His chief attribute is a cross in the shape of an X, or saltire, though in earlier Renaissance painting he may have the more familiar Latin cross. He sometimes has a net containing fish, or a length of rope (he was bound, not nailed, to the cross). His inscription from the Apostles' Creed is: 'Et in Jesum Christum, filium ejus unicum Dominum nostrum'. All these episodes from the legends are depicted, also the stages of his martyrdom: scourging; led by soldiers to his execution; being tied to the cross; crucifixion; burial, assisted by Maximilla. Author: GRECO, El Title: Apostle St Andrew , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El The Entombment of Christ late oil painting picture wholesale


GRECO, El The Entombment of Christ late oil painting picture wholesale

Pintura Identificación::  62346
GRECO, El
The Entombment of Christ late
51,5 x 43 cm Alexandros Soutzos Museum, Athens This painting is one of the most attractive pictures of El Greco's Venetian period. The artist's barely disguised borrowings from Italian prints (e.g. the three Marys from a print of the Entombment by Parmigianino) are a notable feature of his Cretan- and Italian period pictures and reflect his formation as a painter in the post-Byzantine tradition accustomed to working from established compositional patterns. Author: GRECO, El Title: The Entombment of Christ , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Baptism of Christ oil painting picture wholesale


GRECO, El Baptism of Christ oil painting picture wholesale

Pintura Identificación::  62347
GRECO, El
Baptism of Christ
24 x 18 cm Galleria Estense, Modena The Baptism of Christ is the right panel on the front of the Modena Triptych. The Modena Triptych strikingly illustrates El Greco's transition from post-Byzantine icon painter to European artist of the Latin variety. The portable altarpiece, whose unknown patron perhaps stemmed from a Creto-Venetian family, in its open state shows a total of six scenes: on the front, the central panel bears a rare depiction of the Coronation of the Christian Knight, and on the wings we find the Adoration of the Shepherds on the left and the Baptism of Christ on the right. On the reverse, a View of Mount Sinai with its famous convent of St Catherine is flanked by an Annunciation and an Admonition of Adam and Eve by God the Father. This type of object with its gilded frame elements was common in Cretan workshops of the 16th century, as is its use of wood as a painting support. Author: GRECO, El Title: Baptism of Christ , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Annunciation oil painting picture wholesale


GRECO, El Annunciation oil painting picture wholesale

Pintura Identificación::  62348
GRECO, El
Annunciation
24 x 18 cm Galleria Estense, Modena Probably soon after his arrival in Venice El Greco painted the Modena Triptych. Here he adapts Renaissance principles of representation to a small-scale triptych of a post-Byzantine design common in the Venetian empire. As the wings of the triptych are opened in succession, the sequence of images reveals the state of Man before the Fall to his restoration to a state of Grace through Christ. The scene of The Annunciation is the left panel on the back of the triptych. The Modena Triptych strikingly illustrates El Greco's transition from post-Byzantine icon painter to European artist of the Latin variety. The portable altarpiece, whose unknown patron perhaps stemmed from a Creto-Venetian family, in its open state shows a total of six scenes: on the front, the central panel bears a rare depiction of the Coronation of the Christian Knight, and on the wings we find the Adoration of the Shepherds on the left and the Baptism of Christ on the right. On the reverse, a View of Mount Sinai with its famous convent of St Catherine is flanked by an Annunciation and an Admonition of Adam and Eve by God the Father. This type of object with its gilded frame elements was common in Cretan workshops of the 16th century, as is its use of wood as a painting support. Author: GRECO, El Title: Annunciation , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El The Adoration of the Shepherds oil painting picture wholesale


GRECO, El The Adoration of the Shepherds oil painting picture wholesale

Pintura Identificación::  62349
GRECO, El
The Adoration of the Shepherds
114 x 105 cm Private collection In the eighteenth century this painting was attributed to Giovanni Lanfranco, and later to a member of the Bassano family. Since 1951 the authorship of El Greco is universally accepted. However, this picture owes a great deal to the nocturnal paintings of the Bassano. According to the X-radiograph the upper part of the canvas was completely repainted, and the canvas has been cropped at the top. Author: GRECO, El Title: The Adoration of the Shepherds , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El Escutcheon oil painting picture wholesale


GRECO, El Escutcheon oil painting picture wholesale

Pintura Identificación::  62350
GRECO, El
Escutcheon
90 x 130 cm Private collection The sudarium (the cloth with which Veronica wiped Christ's face on the way to Calvary) is shown like a precious object, surrounded by a carved frame that is held by two cherubs or putti. (The cherubs were carved by Juan Bautista Monegro (c. 1545-1621). The ensemble formed part of the elaborate frame of the main altarpiece for the Cistercian convent of Santo Domingo el Antiguo in Toledo. Probably this was the last part of the altarpiece El Greco painted. In the painting, El Greco created a hauntingly disembodied likeness, with Christ staring at the viewer in the fashion of a Byzantine icon. Author: GRECO, El Title: Escutcheon with St Veronica's Veil , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El The Resurrection oil painting picture wholesale


GRECO, El The Resurrection oil painting picture wholesale

Pintura Identificación::  62351
GRECO, El
The Resurrection
210 x 128 cm Church of Santo Domingo el Antiguo, Toledo Painted for the side altar on the Epistle side (right) of the church, and still in place. Probably painted 1578-79, following the completion of the High Altarpiece. The presence of Saint Ildefonso, the patron Saint of Toledo, was stipulated in the documents. Diego de Castilla, the Dean of Toledo Cathedral, is probably represented in this figure, which certainly is a portrait. The figure assists in setting an ideal plane for the enacting of the mystic event. El Greco has eliminated the intrusion of an incongruous space. The ground running parallel with the plane of the action produces no conflict. The rhythm of the passages of colour and light over the surface helps to hold together the composition, with its dramatic split revealing the figure of the Risen Christ. What suggestions remain of an ordinary conception of space, of corporeality and of a schematic quality of composition, disappear in his final version of the subject (painted in 1596-1600, now in the Prado, Madrid). Author: GRECO, El Title: The Resurrection , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El The Resurrection oil painting picture wholesale


GRECO, El The Resurrection oil painting picture wholesale

Pintura Identificación::  62352
GRECO, El
The Resurrection
210 x 128 cm Church of Santo Domingo el Antiguo, Toledo Painted for the side altar on the Epistle side (right) of the church, and still in place. Probably painted 1578-79, following the completion of the High Altarpiece. The presence of Saint Ildefonso, the patron Saint of Toledo, was stipulated in the documents. Diego de Castilla, the Dean of Toledo Cathedral, is probably represented in this figure, which certainly is a portrait. The figure assists in setting an ideal plane for the enacting of the mystic event. El Greco has eliminated the intrusion of an incongruous space. The ground running parallel with the plane of the action produces no conflict. The rhythm of the passages of colour and light over the surface helps to hold together the composition, with its dramatic split revealing the figure of the Risen Christ. What suggestions remain of an ordinary conception of space, of corporeality and of a schematic quality of composition, disappear in his final version of the subject (painted in 1596-1600, now in the Prado, Madrid). Author: GRECO, El Title: The?Resurrection , 1551-1600 , Spanish Form: painting , religious
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Artista: GRECO, El
GRECO, El An Allegory with oil painting picture wholesale


GRECO, El An Allegory with oil painting picture wholesale

Pintura Identificación::  62353
GRECO, El
An Allegory with
1577-79 Oil on canvas, 65 x 90 cm Private collection The central figure is closely based on El Greco's earlier painting of a Boy Blowing on an Ember in Naples but the scene has been enlarged to include another male figure, wearing a yellow jacket and red cap, and a chained monkey, who emerges from the darkness on the left to look over the boy's shoulder. The composition, known in two other autograph versions (one of similar size in Edinburgh from around 1590, and another smaller and later in the Prado from around 1600), has usually been interpreted as an allegory with some sort of moralising intent; it is unlikely that it was conceived simply as a genre scene. It bears the traditional title 'F?bula', meaning fable or story. Author: GRECO, El Title: An Allegory with a Boy Lighting a Candle in the Company of an Ape and a Fool (F?bula) , 1551-1600 , Spanish Form: painting , genre
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Artista: Grunewald, Matthias
Grunewald, Matthias Establishment of the Santa Maria Maggiore in Rome oil painting picture wholesale


Grunewald, Matthias Establishment of the Santa Maria Maggiore in Rome oil painting picture wholesale

Pintura Identificación::  62357
Grunewald, Matthias
Establishment of the Santa Maria Maggiore in Rome
1517-19 Oil on wood St?dtische Museen, Freiburg im Breisgau The detail shows the background of the painting. The palace at the left has no wall and the dreaming pope can be seen in his bedroom. At the steps of the palace the patrician and his wife view the Mother of God in snow-white glory in the sky. On the right, in front of the Lateran Palace people are gathering, discussing the miracle and forming a procession
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Artista: Francisco Camilo
Francisco Camilo Adoration of the Magi oil painting picture wholesale


Francisco Camilo Adoration of the Magi oil painting picture wholesale

Pintura Identificación::  62358
Francisco Camilo
Adoration of the Magi
83 x 119 cm Museo de Bellas Artes, Bilbao This painting of intense colours shows Italian, particularly Venetian influences. The composition follows the example of Paolo Veronese's paintings of the same subject, painted one century earlier. This probably can be partly explained by the Italian origin of the artist
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Artista: Gian Lorenzo Bernini
Gian Lorenzo Bernini The Assumption oil painting picture wholesale


Gian Lorenzo Bernini The Assumption oil painting picture wholesale

Pintura Identificación::  62359
Gian Lorenzo Bernini
The Assumption
1607-10 Marble Santa Maria Maggiore, Rome This relief was commissioned for the sacristy of the Santa Maria Maggiore. Inspired by contemporary paintings of the subject (particularly by Ludovico Carracci), Pietro Bernini's relief illustrates his virtuoso marble-carving ability and his exploitation of pictorial affects, more skills that he passed on to his son, the young Gianlorenzo. At the same time the relief is rooted in an approach to relief sculpture which differs little from the famous scenes of the life of the Virgin by the fourteenth-century Florentine sculpture Andrea Orcagna. We find in this composition the sharp linear drapery style and the extreme tenseness of the figures that characterize Pietro's art, never entirely freed from the Mannerist limitations of his training. The work, however, is one of the earliest examples of the pictorial relief altarpieces that were to be popular during the 17th century
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Artista: Juan Martin Cabezalero
Juan Martin Cabezalero Assumption of the Virgin oil painting picture wholesale


Juan Martin Cabezalero Assumption of the Virgin oil painting picture wholesale

Pintura Identificación::  62360
Juan Martin Cabezalero
Assumption of the Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
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Artista: CEREZO, Mateo
CEREZO, Mateo The Mystic Marriage oil painting picture wholesale


CEREZO, Mateo The Mystic Marriage oil painting picture wholesale

Pintura Identificación::  62361
CEREZO, Mateo
The Mystic Marriage
207 x 163 cm Museo del Prado, Madrid Mateo Cerezo, a pupil of Carre?o, was a gifted painter and a good colorist in the Madrid school of painters.
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