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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Out hunting for teeth oil painting picture wholesale


Francisco de goya y Lucientes Out hunting for teeth oil painting picture wholesale

Pintura Identificación::  62461
Francisco de goya y Lucientes
Out hunting for teeth
1797-98 Etching and aquatint, 218 x 151 mm - This is Plate 12 from the series Los Caprichos. The young woman, recoiling in fear at the sight of the hanged man, is nevertheless reaching greedily into his mouth for his teeth, which are precious ingredients for magic potions. Author: GOYA Y LUCIENTES, Francisco de Title: Out hunting for teeth! Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes There was no remedy oil painting picture wholesale


Francisco de goya y Lucientes There was no remedy oil painting picture wholesale

Pintura Identificación::  62462
Francisco de goya y Lucientes
There was no remedy
1797-98 Etching and aquatint, 217 x 152 mm - This is Plate 24 from the series Los Caprichos. Those condemned by the Inquisition were publicly paraded wearing a distinctive conical hat signaling their disgrace.In 1807 a French traveller in valencia watched an alleged witch, "her upper body bared to the waist", being lead through every quarter of the town. Author: GOYA Y LUCIENTES, Francisco de Title: There was no remedy Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes What more can one do oil painting picture wholesale


Francisco de goya y Lucientes What more can one do oil painting picture wholesale

Pintura Identificación::  62463
Francisco de goya y Lucientes
What more can one do
1812-15 Etching and aquatint, 158 x 208 mm - This is Plate 33 from the series The Disasters of War (Los desastres de la guerra). French soldiers castrate or kill a defenceless man. This is another scene that the artist, living in Madrid, probably did not see at first hand. Brutality and death fired his imagination. Author: GOYA Y LUCIENTES, Francisco de Title: What more can one do? Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes May the rope break oil painting picture wholesale


Francisco de goya y Lucientes May the rope break oil painting picture wholesale

Pintura Identificación::  62464
Francisco de goya y Lucientes
May the rope break
1815-20 Etching and aquatint, 175 x 220 mm - This is Plate 77 from the series The Disasters of War (Los desastres de la guerra). The Pope balances above the heads of the crowd. The hope that the rope might break was not fulfilled. Author: GOYA Y LUCIENTES, Francisco de Title: May the rope break Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Truth Has Died oil painting picture wholesale


Francisco de goya y Lucientes Truth Has Died oil painting picture wholesale

Pintura Identificación::  62465
Francisco de goya y Lucientes
Truth Has Died
1810-1814 Etching, 175 x 220 mm - This is Plate 79 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body. Author: GOYA Y LUCIENTES, Francisco de Title: Truth Has Died (Murio la verdad) Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Will She Rise Again oil painting picture wholesale


Francisco de goya y Lucientes Will She Rise Again oil painting picture wholesale

Pintura Identificación::  62466
Francisco de goya y Lucientes
Will She Rise Again
1810-1814 Etching, 175 x 220 mm - This is Plate 80 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body
(new21/Francisco de goya y Lucientes-665383.jpg)

Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes As far back as his grandfather oil painting picture wholesale


Francisco de goya y Lucientes As far back as his grandfather oil painting picture wholesale

Pintura Identificación::  62467
Francisco de goya y Lucientes
As far back as his grandfather
1797-98 Aquatint, 215 x 150 mm - Goya caricatures the pride of the hidalgos. Some 500.000 of Spain's population of around 10 million considered themselves to belong to this lesser branch of the nobility. Since work was beneath their station, most of them were impoverished, their only possessions being a long line of ancestors. Author: GOYA Y LUCIENTES, Francisco de Title: As far back as his grandfather Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes The Morisco Gazul is the First to Fight Bulls with a Lance oil painting picture wholesale


Francisco de goya y Lucientes The Morisco Gazul is the First to Fight Bulls with a Lance oil painting picture wholesale

Pintura Identificación::  62468
Francisco de goya y Lucientes
The Morisco Gazul is the First to Fight Bulls with a Lance
1815-16 Etching and aquatint, 250 x 350 mm - This is Plate 5 from the series Tauromaquia. Author: GOYA Y LUCIENTES, Francisco de Title: The Morisco Gazul is the First to Fight Bulls with a Lance Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes The Bravery of Martincho in the Ring of Saragassa oil painting picture wholesale


Francisco de goya y Lucientes The Bravery of Martincho in the Ring of Saragassa oil painting picture wholesale

Pintura Identificación::  62469
Francisco de goya y Lucientes
The Bravery of Martincho in the Ring of Saragassa
1815-1816 Etching and aquatint, 245 x 355 mm - This is Plate 18 from the series Tauromaquia. While working on The Disasters of War, Goya also etched 33 plates, which he offered for sale under the title of Tauromaquia (The Art of Bullfighting). Here he depicts a famous torero, seated on a chair and with his feet tied, preparing to deliver the bull a fatal thrust. A moment of extreme tension, which Goya makes palpable by abandoning the traditional rules of perspective. Author: GOYA Y LUCIENTES, Francisco de Title: The Bravery of Martincho in the Ring of Saragassa (Tauromaquia 18) Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Unfortunate Events in the Front Seats of the Ring of Madrid oil painting picture wholesale


Francisco de goya y Lucientes Unfortunate Events in the Front Seats of the Ring of Madrid oil painting picture wholesale

Pintura Identificación::  62470
Francisco de goya y Lucientes
Unfortunate Events in the Front Seats of the Ring of Madrid
245 x 355 mm - This is Plate 21 from the series Tauromaquia. A bull has leapt over the barrier and killed and injured a number of spectators. Goya leaves the left half of the picture empty, infringing the rules of compositional harmony. A number of spectators are nevertheless flinging themselves from right to left: out of the static balance, Goya develops a dynamic one. Author: GOYA Y LUCIENTES, Francisco de Title: Unfortunate Events in the Front Seats of the Ring of Madrid Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes The Colossus oil painting picture wholesale


Francisco de goya y Lucientes The Colossus oil painting picture wholesale

Pintura Identificación::  62471
Francisco de goya y Lucientes
The Colossus
1810-18 Mezzotint engraving, 285 x 210 mm - This engraving by Goya (Goya's only mezzotint engraving) was formerly described (by his grandson) as a 'giant'. It shows a figure seated on a hill beneath a crescent moon, a meditative, passive counterpart to the threatening Colossus of the painting in the Prado. Author: GOYA Y LUCIENTES, Francisco de Title: The Colossus Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Feminine Folly oil painting picture wholesale


Francisco de goya y Lucientes Feminine Folly oil painting picture wholesale

Pintura Identificación::  62472
Francisco de goya y Lucientes
Feminine Folly
1816-23 Etching and aquatint, 240 x 350 mm - This is Plate 1 from the series Los Disparates or Proverbios. Some of the subjects of the tapestry cartoons described as 'the pleasures of the nursery' enjoyed by grown-ups were to be transformed in Goya's late lithographs into dark, grotesque parodies. Author: GOYA Y LUCIENTES, Francisco de Title: Feminine Folly (Disparate Feminino) Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Spanish Entertainment oil painting picture wholesale


Francisco de goya y Lucientes Spanish Entertainment oil painting picture wholesale

Pintura Identificación::  62473
Francisco de goya y Lucientes
Spanish Entertainment
1825 Lithograph, 300 x 410 mm Biblioteca Nacional, Madrid This litograph is one of the four in the series The Bulls of Bordeaux. As in his early paintings, and unlike in his Tauromaquia, Goya takes a step back from the events in the ring. His focus now falls not on the battle to the death that had earlier fascinated him and inspired him to new compositional solutions, but on the bullfight as popular entertainment. Perhaps the emigr?was also inspired by reminiscences of life in Spain. Author: GOYA Y LUCIENTES, Francisco de Title: Spanish Entertainment Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes The Divided Arena 1825 Lithograph oil painting picture wholesale


Francisco de goya y Lucientes The Divided Arena 1825 Lithograph oil painting picture wholesale

Pintura Identificación::  62474
Francisco de goya y Lucientes
The Divided Arena 1825 Lithograph
300 x 425 mm Biblioteca Nacional, Madrid This litograph is one of the four in the series The Bulls of Bordeaux. At the end of his life, three years before his death, Goya once again returned to the subject of bullfighting, using the new technique of lithography to produce the series The Bulls of Bordeaux. Author: GOYA Y LUCIENTES, Francisco de Title: The Divided Arena Form: graphics , 1801-1850 , Spanish , other
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Girl Listening to a Guitar oil painting picture wholesale


Francisco de goya y Lucientes Girl Listening to a Guitar oil painting picture wholesale

Pintura Identificación::  62475
Francisco de goya y Lucientes
Girl Listening to a Guitar
1796-97 Indian ink wash, 170 x 99 mm Museo del Prado, Madrid This graphics belongs to the Sanl?car Album. Goya stayed with the Duchess of Alba at her Andalusian estate in Sanl?car after her husband's death and made several drawings of scenes in the domestic life of the Duchess and her household. Author: GOYA Y LUCIENTES, Francisco de Title: Girl Listening to a Guitar Form: graphics , 1801-1850 , Spanish , genre
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Couple with Parasol on the Paseo oil painting picture wholesale


Francisco de goya y Lucientes Couple with Parasol on the Paseo oil painting picture wholesale

Pintura Identificación::  62476
Francisco de goya y Lucientes
Couple with Parasol on the Paseo
1796-97 Indian ink wash, 220 x 134 mm Kunsthalle, Hamburg This graphics belongs to Album C. Goya was a master of the rapid sketch - his albums are like notebooks in which he captures scenes from everyday life, preferably with women in them. Author: GOYA Y LUCIENTES, Francisco de Title: Couple with Parasol on the Paseo Form: graphics , 1801-1850 , Spanish , study
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Nude Woman Holding a Mirror oil painting picture wholesale


Francisco de goya y Lucientes Nude Woman Holding a Mirror oil painting picture wholesale

Pintura Identificación::  62477
Francisco de goya y Lucientes
Nude Woman Holding a Mirror
1796-97 Indian ink wash, 234 x 145 mm Biblioteca Nacional, Madrid Author: GOYA Y LUCIENTES, Francisco de Title: Nude Woman Holding a Mirror Form: graphics , 1801-1850 , Spanish , study
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes They are hot oil painting picture wholesale


Francisco de goya y Lucientes They are hot oil painting picture wholesale

Pintura Identificación::  62478
Francisco de goya y Lucientes
They are hot
1797-98 Red chalk and red wash, 219 x 153 mm Museo del Prado, Madrid In all probability Goya was a faithful Christian, but he hated the mass of 60.000 Spanish monks as greedy and lazy, as encouraging superstition and as profiting from the work of others. Author: GOYA Y LUCIENTES, Francisco de Title: They are hot! Form: graphics , 1801-1850 , Spanish , study
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes Josefa Josefa Bayeu oil painting picture wholesale


Francisco de goya y Lucientes Josefa Josefa Bayeu oil painting picture wholesale

Pintura Identificación::  62479
Francisco de goya y Lucientes
Josefa Josefa Bayeu
111 x 81 mm Collection Marques de Casa Torres, Madrid Author: GOYA Y LUCIENTES, Francisco de Title: Josefa Bayeu Form: graphics , 1801-1850 , Spanish , study
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Artista: Francisco de goya y Lucientes
Francisco de goya y Lucientes You'll see later oil painting picture wholesale


Francisco de goya y Lucientes You'll see later oil painting picture wholesale

Pintura Identificación::  62480
Francisco de goya y Lucientes
You'll see later
1803-12 Indian ink and pen on pink paper, 266 x 187 mm Metropolitan Museum of Art, New York This sketch shows a burly lower-class man drinking greedily from a leather bottle. Ha has clearly been arguing with his wife, and Goya shows a moment of discord and dramatic action. With just a few precise brushstrokes and without any prior drawing, Goya conveys an emotionally charged expression. Author: GOYA Y LUCIENTES, Francisco de Title: You'll see later (Despu?s lo veras) Form: graphics , 1801-1850 , Spanish , study
(new21/Francisco de goya y Lucientes-678532.jpg)

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