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Gemälde::. All people >> religious

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Künstler: unknow artist

unknow artist Italian Antiphonary Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65133
unknow artist
Italian Antiphonary
1450 Illumination on parchment National Sz?ch?nyi Library, Budapest This miniature, representing the Capture of Christ, is from the Italian Antiphonary, illuminated by the Sienese painter Giovanni di Paolo with scenes of the Passion and miniatures representing the legend of Saint Francis of Assisi. , MINIATURIST, Italian , Italian Antiphonary , 1401-1450 , Italian , illumination , religious
(new22/unknow artist-342485.jpg)

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Künstler: unknow artist

unknow artist Gradual Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65134
unknow artist
Gradual
1480-84 Illumination on parchment National Sz?ch?nyi Library, Budapest The miniature representing The Last Judgment comes from a Gradual of French provenance which belonged to King Matthias Corvinus' (1458-1490) Bibliotheca Corviniana in Buda. , MINIATURIST, French , Gradual , 1451-1500 , French , illumination , religious
(new22/unknow artist-875475.jpg)

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Künstler: unknow artist

Gemälde IDENTIFIZIERUNG:: 65135
unknow artist
Italian Antiphonary
1450 Illumination on parchment National Sz?ch?nyi Library, Budapest This miniature, representing Saint Francis before the Sultan, is from the Italian Antiphonary, illuminated by the Sienese painter Giovanni di Paolo with scenes of the Passion and miniatures representing the legend of Saint Francis of Assisi. , MINIATURIST, Italian , Italian Antiphonary , 1401-1450 , Italian , illumination , religious
(new22/unknow artist-535545.jpg)

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Künstler: unknow artist

unknow artist Amesbury Psalter Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65145
unknow artist
Amesbury Psalter
1240-50 Illumination on parchment, 30,3 x 21,6 cm All Souls College, Oxford This is a page from the Amesbury Psalter depicting the Virgin and Child with Donor. The graceful looping folds into which the drapery is caught was very popular in England. This psalter represents well the English illumination around 1250. Artist: MINIATURIST, English , Amesbury Psalter , 1201-1250 , English , illumination , religious
(new22/unknow artist-584679.jpg)

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Künstler: unknow artist

unknow artist Book of Hours Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65147
unknow artist
Book of Hours
1490s Illumination on parchment Cathedral Library, Esztergom The miniature representing The Legend of the Golden Gate comes from a Book of Hours, a French (Tours) Book of Prayers. Artist: MINIATURIST, French , Book of Hours , 1451-1500 , French , illumination , religious
(new22/unknow artist-944584.jpg)

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unknow artist The Visconti Book of Hours after Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65149
unknow artist
The Visconti Book of Hours after
1430 Vellum, 25 x 17,9 cm Biblioteca Nazionale, Florence Giovannino de'Grassi began illuminating this two-volume prayer-book for Gian Galeazzo Visconti; but it was a long time after they both were dead that the work was completed by Luchino Belbello da Pavia and his assistants. The initial of the text, the capital C, is the nucleus of the folio with rather crowded embellishments. Encircled by the letter we can see the creation of Eve, in front of a golden background. The three figures - God the Father, Eve and Adam - are arranged in a way that follows the line of the C. Stylized golden vine-leaves, springing from a straight vine-stock on the right-hand side of the margin, surround the initial, and the seemingly irregular, curving network of vine-tendrils is also adjusted to the shape of the letter. In the arid, rocky landscape at the bottom of the folio there are some luxuriant, thriving bushes and shrubs, with different animals among them, which point back to the previous days of the Creation, when the Earth was populated by plants and animals. The bottom strip with its flat representations - connected with the principal one, as was usual at that time - expands in Belbello's miniature, as it did in the works of his contemporaries, into a spacious stage. In the two upper corners of the initial, groups of radially arranged angels support the Viscontis' unpleasant coat of arms which depicts the serpent devouring a child. We are presented with a fantastic mixture of fairytale and reality, of decoration and representation. The griffin is depicted in a three-dimensional manner as is the hunting leopard, the favourite "domestic animal" of the Viscontis, an animal the painter may have seen every day in his master's park. However, at that time it did not depend only on the presence of the model whether the artist succeeded in representing it successfully. This is shown by the fact that, although there were elephants, bears, lions, monkeys and rabbits too in the Viscontis' menagerie, in Belbello's miniature they appear schematically, in a childishly simplified form. This may be due to the fact that the painter had not had much practice in depicting them and had not mastered the skill of representing them. From among the innumerable instances of the intertwining of natural and fantastic forms it is worth while pointing to the oval, colourful flower cups swaying among the golden vine-leaves. These flowers have nothing to do with reality, and, in particular, not among vine-leaves. On the other hand, they have striking similarities to ornaments on the jewellery of the period, not only because they appear in three-dimensional forms, but because of the enamel-like layers of paint which cover them. Artist: MINIATURIST, Italian , The Visconti Book of Hours , 1401-1450 , Italian , illumination , religious
(new22/unknow artist-564468.jpg)

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unknow artist Epitome Rerum Hungaricarum before Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65152
unknow artist
Epitome Rerum Hungaricarum before
1490 Illumination on parchment National Sz?ch?nyi Library, Budapest The miniature is from a manuscript by Ransanus, entitled Epitome Rerum Hungaricarum. he picture depicts Ransanus Speaking in the Presence of King Matthias. Artist: MINIATURIST, Italian , Epitome Rerum Hungaricarum , 1451-1500 , Italian , illumination , historical
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Künstler: unknow artist

Gemälde IDENTIFIZIERUNG:: 65155
unknow artist
Book of Hours
1490s Illumination on parchment Cathedral Library, Esztergom The miniature depicting the Annunciation comes from a Book of Hours (Flemish Book of Prayers). Artist: MINIATURIST, Flemish , Book of Hours , 1451-1500 , Flemish , illumination , religious
(new22/unknow artist-833278.jpg)

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unknow artist Douce Apocalypse Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65163
unknow artist
Douce Apocalypse
1270 Illumination on parchment, 14,6 x 11,4 cm Bodleian Library, Oxford This page depicting St John and the Angel is from the Douce Apocalypse. The influence of the new style found in the books of Louis IX shortly reached England. Henry III, while he commissioned a great many paintings for his palaces and chapels was not a bibliophile. Almost all the painting on a larger scale has vanished and we do not, by way of compensation, possess a nucleus of royal manuscript such as is found in France. Two works survive, however, which, although not commissioned for Henry III, may nevertheless come within this category. One is known as the Douce Apocalypse, the other is the Alfonso Psalter. The Douce Apocalypse, one of an extraordinary number of Apocalypse manuscripts produced during the thirteenth century, was made for Henry III's son, Edward, at sosme date before his accession to the throne in 1272. Thus it probably follows the St Louis manuscripts. Artist: MINIATURIST, English , Douce Apocalypse , 1251-1300 , English , illumination , religious
(new22/unknow artist-698564.jpg)

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unknow artist Alfonso Psalter Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65202
unknow artist
Alfonso Psalter
1284 Illumination on parchment, 24,1 x 16,5 cm British Museum, London This page depicting four female saints is from the Alfonso Psalter. The influence of the new style found in the books of Louis IX shortly reached England. Henry III, while he commissioned a great many paintings for his palaces and chapels was not a bibliophile. Almost all the painting on a larger scale has vanished and we do not, by way of compensation, possess a nucleus of royal manuscript such as is found in France. Two works survive, however, which, although not commissioned for Henry III, may nevertheless come within this category. One is known as the Douce Apocalypse, the other is the Alfonso Psalter. The Alfonso Psalter was intended for Edward's son, Alfonso. He died in 1294 and some of the decoration of his psalter belongs to a later date. Those parts of the manuscript which belong to the earliest and best phase (before 1284), like the page presented here, show strong French influence. Artist: MINIATURIST, English , Alfonso Psalter , 1251-1300 , English , illumination , religious
(new22/unknow artist-672899.jpg)

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unknow artist Illuminated Chronicle Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65203
unknow artist
Illuminated Chronicle
1360 Illumination on parchment National Sz?ch?nyi Library, Budapest The illumination depicts the Capture of Gyula. Artist: MINIATURIST, Hungarian , Illuminated Chronicle , 1351-1400 , Hungarian , illumination , historical
(new22/unknow artist-239578.jpg)

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unknow artist Manesse Song Collection Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 65205
unknow artist
Manesse Song Collection
1300-20 Illumination on parchment Universit?tsbibliothek, Heidelberg The cloack of the kneeling knight is decorated with the letter "A", probably the initial of his ideal woman. The picture comes from the most extensive collection of German songs (Minnesang), the "Mannesische Liederhandschrift" created probably in Zurich. R?diger and Johannes Manesse collected the songs from several smaller songbooks. The codex contains 138 miniatures made by at least four different artists. Artist: MINIATURIST, Swiss , Manesse Song Collection , 1301-1350 , Swiss , illumination , other
(new22/unknow artist-589236.jpg)

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Gemälde::. All people >> religious (Kaufen Sie eine spezielle ölmalerei?)