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Gemälde::. All people >> religious

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Vorherig  451  452  453  454  455  456  457  458  459  460  461  462  463  464  465  466  467  468  469  470  Nächst
Künstler: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction


RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64192
RUBENS, Pieter Pauwel
Raising of the Cross
1610 Oil on panel, 460 x 340 cm (centre panel), 460 x 150 cm (wings) O.-L. Vrouwekathedraal, Antwerp Rubens painted the triptych for the high altar of Antwerp's church of St Walpurgis, which was demolished in 1817. That explains the inclusion of Amand, Walpurgis and Eligius on the back side of the wings. The triptych marked Rubens' sensational introduction of the Baroque style into Northern art. The diagonal composition is full of dynamism and animated colour. The artist had just returned from Italy, with the memory of Michelangelo, Caravaggio and Venetian painting still fresh in his mind. The Raising of the Cross is the perfect summation of the unruly bravura that marked his first years in Antwerp. In the centre nine executioners strain with all their might to raise the cross from which Christ's pale body hangs. The dramatic action is witnessed from the left by St John, the Virgin Mary and a group of weeping women and children. On the right, a Roman officer watches on horseback while soldiers in the background are crucifying the two thieves. In other words, the subject is spread across all three panels. The outside of the wings shows Saints Amand, Walpurgis, Eligius and Catherine of Alexandria. The painting was confiscated by the French in 1794 and taken to Paris. It was returned to Antwerp in 1815, following the defeat of Napoleon, and installed in the church of Our Lady. During restoration in the 1980s, successive layers of varnish, which had form an even grey veil over the painting, were removed. The burgeoning talent of the confident young Rubens is more clearly visible now in the intense emotion of the figures, the contrasting lighting, the glow of the labouring bodies and the gleam of the armour and costly robes. , Artist: RUBENS, Pieter Pauwel , Raising of the Cross , 1601-1650 , Flemish , painting , religious
(new21/RUBENS, Pieter Pauwel-775862.jpg)

Künstler: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction


RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64193
RUBENS, Pieter Pauwel
Raising of the Cross
1610 Oil on panel O.-L. Vrouwekathedraal, Antwerp The picture shows a detail of the left panel of the triptych. , Artist: RUBENS, Pieter Pauwel , Raising of the Cross (detail) , 1601-1650 , Flemish , painting , religious
(new21/RUBENS, Pieter Pauwel-236786.jpg)

Künstler: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction


RUBENS, Pieter Pauwel Raising of the Cross Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64194
RUBENS, Pieter Pauwel
Raising of the Cross
1610 Oil on panel, 460 x 150 cm O.-L. Vrouwekathedraal, Antwerp Rubens painted the triptych for the high altar of Antwerp's church of St Walpurgis, which was demolished in 1817. That explains the inclusion of Amand, Walpurgis and Eligius on the back side of the wings. According to tradition, Bishop Amand founded that church - Antwerp's first - some time around 650. He features on the outside of the wings in the company of Walpurgis, a 8th-century saint, who supposedly lived for several years as a hermitess in the church's crypt, before becoming abbess of the convent she founded in Bavaria. In the right shutter, Rubens placed St Eligius, the blacksmith and bishop. Eligius was the patron saint of Antwerp's blacksmiths, who had their altar at St Walpurgis. Catherine of Alexandria stands in front of him with her martyr's sword and palm branch. The prominent position she is given in the altarpiece no doubt had something to do with a special devotion in the church, perhaps a confraternity of St Catherine, of which, however, no details are known. , Artist: RUBENS, Pieter Pauwel , Raising of the Cross: Sts Amand and Walpurgis , 1601-1650 , Flemish , painting , religious
(new21/RUBENS, Pieter Pauwel-766863.jpg)

Künstler: unknow artist
unknow artist Scenes from the Life of St Ursula Germany oil painting reproduction


unknow artist Scenes from the Life of St Ursula Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64199
unknow artist
Scenes from the Life of St Ursula
Oil on wood Groeninge Museum, Bruges The detail depicts the Massacre by the Huns. Throughout the 15th century - a century of perpetual innovation - the great creative figures of Flemish painting were surrounded by many "minor" artists. These lesser-known painters have often been treated with condescension, merely because they happened to be overshadowed by the major creators. But many of them are no less remarkable on that account. Some of the finest work was also produced by anonymous hands, painters such as the Master of the Legend of St Ursula, and the Master of the Adoration of Khanenko. In their day, these painters were widely celebrated for their achievements. , Artist: MASTER of the Legend of St. Ursula , Scenes from the Life of St Ursula (detail) , 1451-1500 , Flemish , painting , religious
(new21/unknow artist-542872.jpg)

Künstler: unknow artist
unknow artist The Martyrdom of St Germany oil painting reproduction


unknow artist The Martyrdom of St Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64201
unknow artist
The Martyrdom of St
11,000 Virgins 1492-1496 Oil on panel Victoria and Albert Museum, London In 1903, the famous art historian J.M. Friedlender attributed the Scenes from the Life of St Ursula, today in the Groeninge Museum, Bruges, to a painter he called the Master of the Legend of St Ursula. He saw this artist as a particularly talented disciple of Hans Memling and Rogier van der Weyden. In 1921 it was proposed that this anonymous artist was one Pieter Casembroot, a painter from Bruges who had apprenticed to Arnout de Mol, before becoming a master himself in 1459, none of whose works had hitherto been identified. Today, this hypothesis is widely accepted. Casembroot's most productive years were those between 1480 and 1500. We also know that, in around 1480, he began to receive so many commissions that he had to follow the example of his more illustrious colleagues and set up a studio in his own name. , Artist: MASTER of the Legend of St. Ursula , The Martyrdom of St. Ursula and the 11,000 Virgins , 1451-1500 , Flemish , painting , religious
(new21/unknow artist-225742.jpg)

Künstler: tacuinum sanitatis
tacuinum sanitatis italian tailor's shop Germany oil painting reproduction


tacuinum sanitatis italian tailor's shop Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64203
tacuinum sanitatis
italian tailor's shop
1673 late sixteeth century
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Künstler: unknow artist
unknow artist comedies of terence Germany oil painting reproduction


unknow artist comedies of terence Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64208
unknow artist
comedies of terence
fifteenth century paris, bib. nat ms lat. 7907
(new21/unknow artist-929559.jpg)

Künstler: unknow artist
unknow artist the labours of the months Germany oil painting reproduction


unknow artist the labours of the months Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64209
unknow artist
the labours of the months
from tre's riches heures du duc de berry
(new21/unknow artist-226396.jpg)

Künstler: unknow artist
unknow artist offering the heart, tapestry Germany oil painting reproduction


unknow artist offering the heart, tapestry Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64212
unknow artist
offering the heart, tapestry
frist half of the fifteenth century paris, muse'e de cluny
(new21/unknow artist-396978.jpg)

Künstler: French school
French school hunting with falcons at the court of philip the good Germany oil painting reproduction


French school hunting with falcons at the court of philip the good Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64213
French school
hunting with falcons at the court of philip the good
fifteenth century versailles, museum
(new21/French school-977863.jpg)

Künstler: French school
French school the betrothal Germany oil painting reproduction


French school the betrothal Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64215
French school
the betrothal
1470 berlin, staatliche museen, gemäldegalerie
(new21/French school-798865.jpg)

Künstler: Master of Hoogstraeten
Master of Hoogstraeten Adoration of the Magi Germany oil painting reproduction


Master of Hoogstraeten Adoration of the Magi Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64216
Master of Hoogstraeten
Adoration of the Magi
83,4 x 73,1 cm Museum Mayer van den Bergh, Antwerp The picture shows the central panel of a triptych. , Artist: MASTER of Hoogstraeten , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
(new21/Master of Hoogstraeten-345764.jpg)

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