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Gemälde::. All people >> religious

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Vorherig  459  460  461  462  463  464  465  466  467  468  469  470  471  472  473  474  475  476  477  478  Nächst
Künstler: unknow artist
unknow artist Lament over the Dead Christ Germany oil painting reproduction


unknow artist Lament over the Dead Christ Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64858
unknow artist
Lament over the Dead Christ
29 x 80.8 cm Biblioth?que Nationale, Paris The folio is from the so-called "Grandes Heures de Rohan" executed by the Master of the Rohan Prayer-book. The picture fills the whole surface of the folio, and also includes, in a separate little frame, a part of the text. The pale, greyish, angular and thin body of the dead Christ, bleeding from five wounds, lies right on the greenish-brown bare ground. Above Him the deathly pale Virgin opens her arms for a last embrace, but would collapse, fainting, onto her dead Son if St John did not support her with an energetic movement. At the same time St John turns his head with a complaining and reproachful countenance towards the monumental torso of God the Father appearing in the top right-hand corner of the picture. The monumentality of God, descending from heavenly heights to earthly proximity, is further increased by His figure being disproportionately larger than the other three figures. Only His complexion is rosy. In his left hand He is holding the sphere, while the expressions of blessing, of appreciation and of sorrow are blended in the movement of His right arm. The background of the scene is like a tapestry of gold and blue patterns on a black ground. The whirl of angels flying about quickly and the flashing of their golden wings provide the basic mood of the scene as an orchestral accompaniment. The main characteristic of the composition is that, while it is based on a strict geometrical framework, it is pervaded in every respect by sharp contrasts and tensions, which are, however, all resolved by the painter. The moment represented, the transitory state of the fall held back, is fraught with tension; it is somewhat eased by the fact that the tip of the Virgin's fingerjust touches the end of Christ's beard. The four heads emphasized by their haloes are placed on the quarter of an arc, the radius of which is the horizontally placed body of Christ, as if that nadir were attracting the other three figures. It is a nadir, but, at the same time, also a centre of gravity, its solidity being ensured by the fact that both ends of the rigid body not only touch the frame on either side, but that at one point the head and halo even break through it. At both ends of the quarter circle two faces are turned towards each other. The heads of Christ and St John, both with their eyelids closed, are turned to God the Father, while the glance of the Virgin and of God the Father rest on the head of Christ. The bodies of the Virgin and of St John seem to be turning into opposite directions from a common trunk. They are both represented in sharp profile, whereas the heads of God the Father and of Christ are shown from a three-quarter view. , MINIATURIST, French , Lament over the Dead Christ , 1401-1450 , French , illumination , religious
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Künstler: unknow artist
unknow artist Weingarten Missal Germany oil painting reproduction


unknow artist Weingarten Missal Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64862
unknow artist
Weingarten Missal
29,2 x 20,3 cm Pierpont Morgan Library, New York In Germany, the Byzantinizing style of manuscripts survived into the thirteenth century. A striking example is the group of manuscripts associated with Berthold, abbot of the Swabian monastery of Weingarten from 1200 to 1232. The most impressive of the group is the Weingarten Missal, from which the Crucifixion represents a page. The faces are close to Byzantine types; and the drapery definitely clings to the figures. , MINIATURIST, German , Weingarten Missal , 1201-1250 , German , illumination , religious
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Künstler: Piero della Francesca
Piero della Francesca madonna della misericordia, central panel of the polyptych of the misericordia Germany oil painting reproduction


Piero della Francesca madonna della misericordia, central panel of the polyptych of the misericordia Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64864
Piero della Francesca
madonna della misericordia, central panel of the polyptych of the misericordia
sansepolcro, museo civico se
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Künstler: Piero della Francesca
Piero della Francesca sts sebastian and john the baptist from the polyptych of the misericordia Germany oil painting reproduction


Piero della Francesca sts sebastian and john the baptist from the polyptych of the misericordia Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64865
Piero della Francesca
sts sebastian and john the baptist from the polyptych of the misericordia
sansepolcro, museo civico se
(new22/Piero della Francesca-827958.jpg)

Künstler: Piero della Francesca
Piero della Francesca sts andrew and bernardino of siena from the polyptych of the misericordia Germany oil painting reproduction


Piero della Francesca sts andrew and bernardino of siena from the polyptych of the misericordia Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64866
Piero della Francesca
sts andrew and bernardino of siena from the polyptych of the misericordia
sansepolcro, museo civico se
(new22/Piero della Francesca-235699.jpg)

Künstler: Piero della Francesca
Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction


Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64889
Piero della Francesca
the legend of the true cross, detail
the queen of sheba recceived by solomon se
(new22/Piero della Francesca-883664.jpg)

Künstler: Piero della Francesca
Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction


Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64892
Piero della Francesca
the legend of the true cross, detail
the annunciation se
(new22/Piero della Francesca-453749.jpg)

Künstler: Piero della Francesca
Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction


Piero della Francesca the legend of the true cross, detail Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64915
Piero della Francesca
the legend of the true cross, detail
the victory of heraclius over chosroes, details arezzo, san francesco se
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Künstler: Piero della Francesca
Piero della Francesca the flagellation, detail Germany oil painting reproduction


Piero della Francesca the flagellation, detail Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64918
Piero della Francesca
the flagellation, detail
urbino galleria nazionale delle marche se
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Künstler: unknow artist
unknow artist The Archangel Michael Germany oil painting reproduction


unknow artist The Archangel Michael Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64921
unknow artist
The Archangel Michael
127 x 78 cm Museu Nacional d'Art de Catalunya, Barcelona The archangel Michael was, like St. George the dragon-killer, one of the typically warlike saints so greatly approved in the age of chivalry. The Bible tells us that he fought with Satan for the body of Moses and we can read in the Apocalypse how he defeated the dragon with seven heads and ten horns. St. Michael was therefore looked upon as one of the principal patrons of the Church who, having overcome Satan, could protect all innocent souls from the Devil. This painting illustrates the somewhat provincial style of Juan de la Abadia of Huesca. The heritage of the Trecento can be seen in the delicate, girlish countenance of the saint and the brilliant tints of the wings, but blended with it is the elegance associated with the International Gothic style. The figures are wooden and lifeless and the artist's limited knowledge of anatomy may be seen in his representation of the soul; but the carefully arranged pattern of the floor creates the illusion of space, indicating that the artist was aware of the later developments of Gothic art and was to some extent influenced by early Renaissance art. , ABADIA, Juan de la , The Archangel Michael , 1451-1500 , Spanish , painting , religious
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Künstler: unknow artist
unknow artist Triptych Germany oil painting reproduction


unknow artist Triptych Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64922
unknow artist
Triptych
45 x 56 cm Gallerie dell'Accademia, Venice Much more of an innovator than either Catarino or Lorenzo Veneziano was Jacobello Alberegno, who in the Triptych with Crucifixion and Saints, his only signed work, reveals himself to be an artist of penetrating refinement. If it is true that the two lateral saints, St Gregory and St Jerome, are examples of stylized Gothic figures, the images of the small central panel display a naturalness worthy of one of the best of Giotto's disciples. An extraordinary human dimension seems to govern the expression of sentiments in the picture: a grief-stricken St John the Evangelist clutches his cloak to his breast while the Virgin extends imploring arms and stares transfixed with anguish at her crucified son. , ALBEREGNO, Jacobello , Triptych , 1351-1400 , Italian , painting , religious
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Künstler: unknow artist
unknow artist Scenes from the Life of Jesus Germany oil painting reproduction


unknow artist Scenes from the Life of Jesus Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  64926
unknow artist
Scenes from the Life of Jesus
105 x 175 cm Museu Nacional d'Art de Catalunya, Barcelona The picture represents one of the most characteristic themes of Spanish Romanesque painting: the Virgin with scenes from the life of Jesus on either side of the central group; it was painted by the Master of Avi? the master responsible for the altar in the church of Avi? These scenes are well known even today to those who appreciate early European painting: represented from left to right are the Annunciation, then the Visitation (Mary's visit to Elizabeth, the mother of St John the Baptist,', ', ', ', ', ', ', '); the upper right scene depicts the ox and the ass bending over the Child in the manger; the bottom left scene shows the three Magi guided by the star, while the lower right scene depicts Jesus being presented in the temple. The central figure of the Child on Mary's knee is not the small adult seen in earlier paintings: the artist has portrayed a lively child who seems to be leaping out of the architectonic frame, as if to acknowledge the welcoming gesture of Melchior. This panel reveals a much more 'modern' approach than that of the Master of Seo de Urgell who executed the rigid representation of the twelve apostles in Christ and the Twelve Apostles. The colours are brighter, the contrasts sharper, the figures more animated and the drapery less schematic; but because of the emphatic red of the cheeks, the lack of perspective and the stereotyped representation of the eyes, this picture is also a characteristic example of Romanesque painting. , UNKNOWN MASTER, Spanish , Scenes from the Life of Jesus , 1151-1200 , Spanish , painting , religious
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