Öl auf dem Segeltuch,das echte Aroma von alten Meistern

Schwedisch
SEK(kr)
Spanisch
EURO(€)
Englisch
USD($)
Französisch
EURO(€)
Deutsch
EURO(€)
Gemälde::. All people >> religious

Search For Oil Paintings Online Now !
Vorherig  439  440  441  442  443  444  445  446  447  448  449  450  451  452  453  454  455  456  457  458  Nächst
Künstler: GHIRLANDAIO, Domenico
GHIRLANDAIO, Domenico Decoration of the Sala del Gigli Germany oil painting reproduction


GHIRLANDAIO, Domenico Decoration of the Sala del Gigli Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63102
GHIRLANDAIO, Domenico
Decoration of the Sala del Gigli
1482-84 Fresco Palazzo Vecchio, Florence Under the side arches stand historical characters who embody civic and republican virtues. In these figures Ghirlandaio produced very detailed variations of Roman armor and the classical contrapposto postures, features portrayed with considerable archeological accuracy. On the right Decius, Scipio and Cicero are depicted. Artist: GHIRLANDAIO, Domenico Painting Title: Decoration of the Sala del Gigli (detail) , 1451-1500 Painting Style: Italian , , historical
(new21/GHIRLANDAIO, Domenico-982585.jpg)

Künstler: Master Francke
Master Francke Scenes from the Life of St Francis Germany oil painting reproduction


Master Francke Scenes from the Life of St Francis Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63103
Master Francke
Scenes from the Life of St Francis
1440s Panel, 360 x 186 cm Museo del Prado, Madrid The panel is the left wing of an altarpiece from the Chapel of La Esteva de Las Delicias in La Baza, Leon. Artist: FRANC?S, Nicol Painting Title: Scenes from the Life of St Francis , 1401-1450 Painting Style: Spanish , , religious
(new21/Master Francke-378994.jpg)

Künstler: BALDUNG GRIEN, Hans
BALDUNG GRIEN, Hans Adoration of the Magi Germany oil painting reproduction


BALDUNG GRIEN, Hans Adoration of the Magi Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63525
BALDUNG GRIEN, Hans
Adoration of the Magi
1507 Oil on wood Staatliche Museen, Berlin In the centre of the altarpiece the donor, Ernst von Wettin, Archbishop of Magdeburg, brother of Emperor Frederic the Wise, is represented. The side panels depict St George and St Maurice, the latter being the patron saint of the Magdeburg archbishopry.Artist:BALDUNG GRIEN, Hans Title: Adoration of the Magi Painted in 1501-1550 , German - - painting : religious
(new21/BALDUNG GRIEN, Hans-599683.jpg)

Künstler: Fra Angelico
Fra Angelico Scenes from the Lives of Sts Lawrence and Stephen Germany oil painting reproduction


Fra Angelico Scenes from the Lives of Sts Lawrence and Stephen Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63526
Fra Angelico
Scenes from the Lives of Sts Lawrence and Stephen
1447-49 Fresco Cappella Niccolina, Palazzi Pontifici, Vatican Fra Angelico was entrusted with a number of commissions for the Vatican Palace. The one that involved the most work was the decoration of the small room in the ancient tower of Pope Innocent III that Nicholas V turned into his private chapel, a rectangular space with a groin vault. The floor installed at this time survives. It displays the emblem of Nicholas V, a radiant sun. The frescoes show scenes from the lives of Sts Stephen and Lawrence, in two horizontal bands. On the rear wall was a Deposition, also by Fra Angelico and mentioned by Vasari, but now lost. On the arches are the eight Doctors of the Church in Gothic aedicules. The Evangelists are on the vault, while on the window jambs rosettes with the head of Christ alternate with heads of patriarchs and prophets. The cycle is generally attributed to Fra Angelico and his workshop. The hand of Benozzo Gozzoli has been identified in some of the scenes from the life of St Stephen. Painted for the jubilee of 1450, the cycle clearly reveals the program pursued by Nicholas V of a link between Christian and classical culture. Fra Angelico's figures have a "Roman" appearance: they stand solemn and serious, like heroes from antiquity, against a background of theatrical architecture, reminding the beholder of the buildings of ancient Rome. The intention was to underline the continuity between imperial and Christian Rome which the pope wished to assert. In the picture shown in the upper register St Stephen is depicted preaching to the people and the scholars. Below this St Lawrence is shown receiving the church's treasury and distributing it to the poor.Artist:ANGELICO, Fra Title: Scenes from the Lives of Sts Lawrence and Stephen Painted in 1401-1450 , Italian - - painting : religious
(new21/Fra Angelico-394699.jpg)

Künstler: ANTONIAZZO ROMANO
ANTONIAZZO ROMANO Annunciation Germany oil painting reproduction


ANTONIAZZO ROMANO Annunciation Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63528
ANTONIAZZO ROMANO
Annunciation
1485 Wood S. Maria sopra Minerva, Rome Antoniazzo executed this altarpiece for the Chapel of Annunciation in Santa Maria sopra Minerva, Rome. The painting was commissioned by Cardinal Juan de Torquemada who is seen on the painting as presenting three girls to the Virgin.Artist:ANTONIAZZO ROMANO Title: Annunciation Painted in 1451-1500 , Italian - - painting : religious
(new21/ANTONIAZZO ROMANO-474872.jpg)

Künstler: PERUGINO, Pietro
PERUGINO, Pietro Baptism of Christ Germany oil painting reproduction


PERUGINO, Pietro Baptism of Christ Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63529
PERUGINO, Pietro
Baptism of Christ
1482 Fresco, 335 x 540 cm Cappella Sistina, Vatican The fresco is from the cycle of the life of Christ in the Sistine Chapel. It was painted by Perugino and Pinturicchio, the latter being probably responsible for the landscape and minor scenes. The paintings were to be read in pairs, one from the left and one from the right. Thus the Baptism of Christ faces the Circumcision of Moses' son by Perugino and Pinturicchio. A comparison of the pairs of scenes shows clearly that the principal concern was to show how the new religion of Christ was deeper and more spiritual than the Jewish religion. Thus the pair of frescoes showing the Baptism and the Circumcision emphasize how baptism - prefigured, according to Augustine and many of the Fathers of Church, by circumcision - represents a "spiritual circumcision."Artist:PERUGINO, Pietro Title: Baptism of Christ Painted in 1451-1500 , Italian - - painting : religious
(new21/PERUGINO, Pietro-739653.jpg)

Künstler: MASTER of San Francesco Bardi
MASTER of San Francesco Bardi Crucifix with Germany oil painting reproduction


MASTER of San Francesco Bardi Crucifix with Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63533
MASTER of San Francesco Bardi
Crucifix with
247 x 200 cm Galleria degli Uffizi, Florence This Cross follows the Byzantine iconographic formula for the 'Christus patiens'. There is a Byzantine influence also in the style, which is, however, basically Western in its dramatic vigour. Referred by some critics to the Florentine school, it more probably is a work by the painter of the panel with St Francis and scenes of his life in the church of Santa Croce at Florence (Cappella Bardi). This master interprets with a new, passionate vigour the schemes given by the Lucchese Bonaventura Berlinguieri in his St Francis at Pescia.Artist:MASTER of San Francesco Bardi Title: Crucifix with scenes from Calvary Painted in 1251-1300 , Italian - - painting : religious
(new21/MASTER of San Francesco Bardi-883362.jpg)

Künstler: BRAMANTINO
BRAMANTINO Crucifixion Germany oil painting reproduction


BRAMANTINO Crucifixion Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63534
BRAMANTINO
Crucifixion
1515 Oil on canvas, 372 x 270 cm Pinacoteca di Brera, Milan This painting may have come from the church of S. Maria di Brera. At one time it was probably an organ shutter. It was formerly attributed to Bramante. A late work, this painting reveals Bramantino's background. His roots were in the art of Ercole de' Roberti, the most energetically emotional fifteenth- century painter in northern Italy. It is from this source that Bramantino drew his highly dramatic style, which led him to freeze the tragedy of the Crucifixion within a framework of lucid abstraction. At the same time he seized the opportunity to seek out new means of formal expression. The crosses of the two thieves are arranged in terms of a centralized perspective, creating a space almost like an interior, and leading directly to the background where typical Bramantino buildings are silhouetted against an evening sky. (One of the buildings resembles the Trivulzio mausoleum, which was designed by the artist.) The marked bisymmetry of the painting, with angel and demon, sun and moon, is less structured in the choral rhythm of the foreground. The Madonna's grief is represented within the circle described by the hands of the saints, while the Magdalene lifts her arms toward the cross as if to raise it up to heaven. A strict intellectual approach dominates the colour scheme, in which subdued olive greens, golden grays and browns predominate.Artist:BRAMANTINO Title: Crucifixion Painted in 1451-1500 , Italian - - painting : religious
(new21/BRAMANTINO-276864.jpg)

Künstler: unknow artist
unknow artist Ascension of Christ Germany oil painting reproduction


unknow artist Ascension of Christ Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63551
unknow artist
Ascension of Christ
1446 Glazed terracotta, 260 cm at base Duomo, Florence The Cantoria earned Luca della Robbia further support and the Cathedral Vestry Board offered him several new commissions. Two lunettes representing the Resurrection and the Ascension were ordered from him in 1442 and 1446, respectively.Artist:ROBBIA, Luca della Title: Ascension of Christ Painted in 1401-1450 , Italian - - sculpture : religious
(new21/unknow artist-757676.jpg)

Künstler: MASTER of the Life of the Virgin
MASTER of the Life of the Virgin The Virgin of Mercy Germany oil painting reproduction


MASTER of the Life of the Virgin The Virgin of Mercy Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63705
MASTER of the Life of the Virgin
The Virgin of Mercy
1480 Tempera on oak panel, 129,5 x 65,5 cm Museum of Fine Arts, Budapest The picture is of calm, monumental simplicity, a good painter's achievement demonstrating great skill; despite the few colours the picture does not look empty or poor. The abundance of whites brings into pleasing relief the Virgin's slender, green-clad figure giving a Gothic S-curve against the crimson curtain of the background; the mantle hanging from her shoulders serves as a beautiful symbol of patronage. The isolation of the scene from the background and consequently from the whole world, the very emphasis laid on the motive, are typical of the conservative tendencies of Cologne art which nevertheless welcomed the good opportunity for representing a piece of splendid Italian brocade. The heads deserve special notice; the tender glance of the Virgin and the sweet face of the Child, chiefly because the latter looks amazingly, precociously clever for his age. The looks of the Carmelite monks kneeling to the Virgin reflect clearly discernible intellectual activity. Most probably all the six figures are portraits, as suggested by the careful delineation of features mirroring fine shades of differences. The figure whose head is covered may have been the superior of the small company of friars; this assumption is supported by his distinguished position - in the immediate proximity, to the right of the Virgin Mary - as well as by his cap.Artist:MASTER of the Life of the Virgin Title: The Virgin of Mercy Painted in 1451-1500 , German - - painting : religious
(new21/MASTER of the Life of the Virgin-745949.jpg)

Künstler: Albrecht Durer
Albrecht Durer Adoration of the Magi Germany oil painting reproduction


Albrecht Durer Adoration of the Magi Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63739
Albrecht Durer
Adoration of the Magi
1504 Oil on wood Galleria degli Uffizi, FlorenceArtist:D?RER, Albrecht Title: Adoration of the Magi (detail) Painted in 1501-1550 , German - - painting : religious
(new21/Albrecht Durer-588826.jpg)

Künstler: Albrecht Durer
Albrecht Durer The Adoration of the Holy Trinity Germany oil painting reproduction


Albrecht Durer The Adoration of the Holy Trinity Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  63753
Albrecht Durer
The Adoration of the Holy Trinity
1511 Oil on lindenwood, 135 x 123,4 cm Kunsthistorisches Museum, Vienna This work was commissioned by the Nuremberg metal trader Matth?us Landauer. Also known as the Landauer Altarpiece, it was ordered for the chapel of the Twelve-Brothers House, which he endowed for a dozen impoverished artisans. In the centre of the painted panel at the top is the Trinity. God the Father is shown as emperor, holding Christ on the Cross and surmounted by the dove of the Holy Ghost. Around the figure of God are two rings of angels. Below them, to the right, are Old Testament figures and, to the left, followers of Christ bearing palm branches. Nearer the base of the picture are the slightly larger figures of the living, led by the Pope (with a blue tiara) and the Emperor (with a golden crown). The grey-haired figure of Matth?us Landauer, the donor, is depicted on the left, being welcomed into the throng by the outstretched hand of a cardinal. The landscape at the bottom of the panel stretches into the far distance. A lone figure stands on the land - the artist, who has depicted the earthly community being reunited with the realm of heaven. His hand rests on a panel which is inscribed: `Albrecht D?rer of Nuremberg made this 1511 years after the Virgin.' D?rer also designed an ornate frame for the altarpiece. An early drawing for the frame and panel is dated 1508 and shows that they were a carefully designed ensemble. The frame still survives in the Germanisches Nationalmuseum, Nuremberg, although unfortunately it has long been separated from the painting. (The frame shown in the reproduction is an exact replica of the original.) Made of carved and painted wood, the top of the frame has a sculpted depiction of the Last Judgement, with God enthroned and surrounded by the kneeling figures of the Virgin and John the Baptist. An inscription on the base of the frame records: `Matth?us Landauer has finally completed the house of worship of the Twelve Bretheren including the donation of this panel. After Christ's birth, the year 1511.' D?rer's workshop also designed stained-glass windows for the Twelve-Brothers Chapel, but these were removed in 1810 and were destroyed in Berlin during the Second World War.Artist:D?RER, Albrecht Title: The Adoration of the Holy Trinity (Landauer Altar) Painted in 1501-1550 , German - - painting : religious
(new21/Albrecht Durer-574645.jpg)

Vorherig  439  440  441  442  443  444  445  446  447  448  449  450  451  452  453  454  455  456  457  458  Nächst
Gemälde::. All people >> religious         (Kaufen Sie eine spezielle ölmalerei?)

BEST SELLER
 TOP100