Öl auf dem Segeltuch,das echte Aroma von alten Meistern

Schwedisch
SEK(kr)
Spanisch
EURO(€)
Englisch
USD($)
Französisch
EURO(€)
Deutsch
EURO(€)
Gemälde::. All people >> religious

Search For Oil Paintings Online Now !
Vorherig  432  433  434  435  436  437  438  439  440  441  442  443  444  445  446  447  448  449  450  451  Nächst
Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo Baptism of Jesus Germany oil painting reproduction


Bartolome Esteban Murillo Baptism of Jesus Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62651
Bartolome Esteban Murillo
Baptism of Jesus
mk284 Oil on canvas 250 x 180 cm Cathedral of Seville
(new21/Bartolome Esteban Murillo-477496.jpg)

Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo St. John's and the child Jesus Germany oil painting reproduction


Bartolome Esteban Murillo St. John's and the child Jesus Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62652
Bartolome Esteban Murillo
St. John's and the child Jesus
mk284 Oil on canvas 1670 - 1675 St. Petersburg Hermitage Museum
(new21/Bartolome Esteban Murillo-972842.jpg)

Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo Jesus bearing a cross Germany oil painting reproduction


Bartolome Esteban Murillo Jesus bearing a cross Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62657
Bartolome Esteban Murillo
Jesus bearing a cross
mk284 Oil on canvas 1660 - 1670 125 x 146 cm
(new21/Bartolome Esteban Murillo-432696.jpg)

Künstler: Bartolome Esteban Murillo
Bartolome Esteban Murillo Resurrection Germany oil painting reproduction


Bartolome Esteban Murillo Resurrection Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62658
Bartolome Esteban Murillo
Resurrection
mk284 Oil on canvas 243 x 164 cm Madrid, San Fernando Museum of Art
(new21/Bartolome Esteban Murillo-444465.jpg)

Künstler: unknow artist
unknow artist The Death of Socrates Germany oil painting reproduction


unknow artist The Death of Socrates Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62826
unknow artist
The Death of Socrates
1787 Oil on canvas, 98 x 133 cm Statens Museum fur Kunst, Copenhagen Peyron's The Death of Socrates, commissioned by d'Angiviller for the Crown, was in competition with Jacques-Louis David's work of the same subject. David's confidence in surpassing his rival, coupled with his aggressive and ambitious nature, make it very possible that he chose to paint his own Socrates when he learned of Peyron's plans. The force and clarity of David's version was thrown into even sharper relief by the lack of drama and focus in Peyron's work, and both the public and critics declared David's work to be far superior. David eclipsed his long-time rival once and for all, and from then on Peyron had to be content with a subordinate role in the art world
(new21/unknow artist-389485.jpg)

Künstler: Maclise, Daniel
Maclise, Daniel A Scene from Germany oil painting reproduction


Maclise, Daniel A Scene from Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62827
Maclise, Daniel
A Scene from
45 x 61 cm Royal Collection, Windsor The subject is based on a moment in a romantic German novel entitled Undine, written by Friedrich de la Motte Fouque which was first translated into English in 1818 and became almost as popular with artists in England as Goethe's Faust. The incident painted by Maclise occurs in chapter IX, where the young knight, Huldbrand, accompanies his bride, Undine, back home through the forest. The priest, Father Heilmann, who has just performed the marriage ceremony, follows behind and is visible beneath the branch of the tree. Ahead is the dark and sinister apparition, Kuhleborn, the spirit of the waters and the uncle of Undine. Huldbrand draws his sword on Kuhleborn and then strikes him, whereupon the spirit of the waters is transformed into a waterfall. Clearly the painting illustrates the forces of good, represented by the newly married couple, overcoming the power of evil, symbolised by the looming figure of the water god. The narrative element of the picture is aligned on a diagonal, which is contained within a bower populated by elves, goblins and water-nymphs associated with the surrounding forest. The composition is a triumph of design with the main elements of the story formed by an ornamental border of considerable intricacy. Maclise used other such borders for several of his book illustrations including those for The Chimes by Charles Dickens of 1844 and Irish Melodies by Thomas Moore of 1845. Maclise has here relied on German sources for the decorative features, and was clearly influenced by German illustrators. Maclise was of Irish origin and in 1827 he came to London, where he almost immediately gained recognition as a portrait draughtsman, drawing numerous likenesses for Eraser's Magazine. He painted historical and literary subjects, several as frescoes for the Palace of Westminster. Maclise formed close friendships with the novelists Charles Dickens and William Makepeace Thackeray as well as his compatriot, the poet Thomas Moore, and the politician Benjamin Disraeli. With all of these he shared an ebullience of character and a sense of humour, but this later gave way to melancholy and pessimism
(new21/Maclise, Daniel-889442.jpg)

Künstler: Benjamin Robert Haydon
Benjamin Robert Haydon Christ's Entry into Jerusalem Germany oil painting reproduction


Benjamin Robert Haydon Christ's Entry into Jerusalem Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62841
Benjamin Robert Haydon
Christ's Entry into Jerusalem
1814-20 Oil on canvas, 396 x 457 cm Mount St Mary's Seminary, Cincinnati Haydon was impelled by strong personal faith to undertake his uncommissioned religious canvases. The years of labour he expended on them helped to ruin him. It was his aim to cast out doubt as well as win fame, and in Christ's Entry into Jerusalem, he addressed the issue of doubt directly, assembling past rationalists and sceptics like Voltaire and his own more devout friends like Wordsworth among the watching crowd. Their varied reactions to Christ's appearance amount to a debate on faith. Artist: HAYDON, Benjamin Robert Title: Christ's Entry into Jerusalem , painting Date: 1801-1850 English : religious
(new21/Benjamin Robert Haydon-856472.jpg)

Künstler: Paul Delaroche
Paul Delaroche Cardinal Mazarin's Last Sickness Germany oil painting reproduction


Paul Delaroche Cardinal Mazarin's Last Sickness Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62854
Paul Delaroche
Cardinal Mazarin's Last Sickness
57 x 97 cm Wallace Collection, London Two once famous pictures by Delaroche in the Wallace Collection illustrate the contrasting last days of the two great French Cardinals, Mazarin eager for wealth, Richelieu thirsting for revenge. Artist: DELAROCHE, Paul Title: Cardinal Mazarin's Last Sickness , painting Date: 1801-1850 French : historical
(new21/Paul Delaroche-872259.jpg)

Künstler: Eugene Delacroix
Eugene Delacroix Apollo Vanquishing the Python Germany oil painting reproduction


Eugene Delacroix Apollo Vanquishing the Python Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62859
Eugene Delacroix
Apollo Vanquishing the Python
1850-51 Mural painting, about 800 x 750 cm Musee du Louvre, Paris This is the central panel of the vaulted ceiling of the Galerie d'Apollon in the Louvre. One of Delacroix's lesser-known masterpieces, the subject-matter was dictated by its destination. Apollo Vanquishing the Python shows the painter working in a direct line from the great decorators of the seventeenth and eighteenth centuries, without losing any of his own ardor or lyricism. Artist: DELACROIX, Eugene Title: Apollo Vanquishing the Python , painting Date: 1801-1850 French : mythological
(new21/Eugene Delacroix-989245.jpg)

Künstler: Michelangelo Buonarroti
Michelangelo Buonarroti Study for a Deposition Germany oil painting reproduction


Michelangelo Buonarroti Study for a Deposition Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62893
Michelangelo Buonarroti
Study for a Deposition
1555 Red chalk on paper Ashmolean Museum, Oxford Artist: MICHELANGELO Buonarroti Title: Study for a Deposition Date: 1501-1550 Italian , graphics : study
(new21/Michelangelo Buonarroti-824277.jpg)

Künstler: Michelangelo Buonarroti
Michelangelo Buonarroti Judith and Holofernes Germany oil painting reproduction


Michelangelo Buonarroti Judith and Holofernes Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62895
Michelangelo Buonarroti
Judith and Holofernes
1509 Fresco Cappella Sistina, Vatican In the fresco, almost in the center and nearest to the viewer, the figures of the two women stand out in the bright light against the white wall placed obliquely in the background. Judith is portrayed as she is about to place a cloth over the severed head of Holofernes, which the maidservant is carrying in a tray held on her head. The biblical heroine's face is hidden because she is looking toward the darkened room on the right where, sprawled on the white sheets of the bed, the headless body of the general, depicted with complex foreshortening, appears still to be in a state of frenzied agitation. Judith and the maidservant form a compact group that is given prominence by strong contrasts and passages of very bright colours: the smalt-blue of Judith's bonnet and dress and the yellow of the borders and oversleeve; the delicate green, with rose-white reflections, of the tunic and the crimson of the belt and sash, repeated with darker tones in the maidservant's tunic, which is lined with deep violet that stands out against the yellow with iridescent greenish shadows of the dress. Artist: MICHELANGELO Buonarroti Title: Judith and Holofernes (detail) Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-858798.jpg)

Künstler: Michelangelo Buonarroti
Michelangelo Buonarroti David and Goliath Germany oil painting reproduction


Michelangelo Buonarroti David and Goliath Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG::  62896
Michelangelo Buonarroti
David and Goliath
1509 Fresco Cappella Sistina, Vatican A sheet of light descends from David's shoulder along the sleeve of his tunic (painted smalt-blue with lime-white reflections) to the head of Goliath, who is sprawled on the ground, stressing his centrality to the composition and highlighting the dramatic violence of the action. The composition was carefully planned in order to neutralize, as far as possible, the irregular shape of the field, dramatically forcing the predominant line of sight by means of the bold foreshortening of the two figures and the luminous convexity of the white tent, modeled with violet shadows. In the foreground, toward the lower vertex of the triangle, David's sling, lying on the ground, constitutes the starting point of the projection of the perspective along the central axis of the composition. Artist: MICHELANGELO Buonarroti Title: David and Goliath (detail) Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-574458.jpg)

Vorherig  432  433  434  435  436  437  438  439  440  441  442  443  444  445  446  447  448  449  450  451  Nächst
Gemälde::. All people >> religious         (Kaufen Sie eine spezielle ölmalerei?)

BEST SELLER
 TOP100