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Gemälde::. All people >> religious

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Künstler: Michelangelo Buonarroti

Michelangelo Buonarroti he Persian Sibyl Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62923
Michelangelo Buonarroti
he Persian Sibyl
1511 Fresco, 400 x 380 cm Cappella Sistina, Vatican Primordial, totally detached, her eyes focused on things outside this world, and she herself almost a cave of mystery - such is the Persica of the Sistine Chapel. Something of Leonardo's chiaroscuro has crept into her composition. She is a presence still more powerful and secretive, magical and abstracted than the Cumaean Sibyl. Artist: MICHELANGELO Buonarroti Title: The Persian Sibyl Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-867846.jpg)

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Künstler: CERQUOZZI, Michelangelo

CERQUOZZI, Michelangelo Eleazar Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62932
CERQUOZZI, Michelangelo
Eleazar
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Eliud begat Eleazar. Eleazar begat Matthan. Matthan begat Joseph." (Matthew 1:15) Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts. Behind him are visible the heads of a woman and a child. In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. This lunette was probably the first to be frescoed by Michelangelo. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan , 1501-1550 Painting Style: Italian , , religious
(new21/CERQUOZZI, Michelangelo-367437.jpg)

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Künstler: Michelangelo Buonarroti

Michelangelo Buonarroti Eleazar Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62933
Michelangelo Buonarroti
Eleazar
1511-12 Fresco Cappella Sistina, Vatican In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-433289.jpg)

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Künstler: Michelangelo Buonarroti

Gemälde IDENTIFIZIERUNG:: 62934
Michelangelo Buonarroti
Eleazar
1511-12 Fresco Cappella Sistina, Vatican Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts; his torso is seen frontally; his legs are crossed; his left arm is outstretched, his wrist lying across his raised right ankle, while his right arm, resting on a yellow cushion, is folded, his hand touching his shoulder. Behind him are visible the heads of a woman and a child. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-362774.jpg)

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Künstler: Michelangelo Buonarroti

Michelangelo Buonarroti Jacob Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62935
Michelangelo Buonarroti
Jacob
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Matthan begat Jacob. Jacob begat Joseph, the husband of Mary, of whom was born Jesus, who is called Christ." (Matthew 1:15-16) At the top of the entrance wall of the chapel, to the right of the viewer, next to the Eleazar-Matthan lunette, there is the one concluding the genealogical sequence of the ancestors of Christ in the Gospel of St Matthew. Sullen and perplexed, wrapped in a huge yellow ochre cloak and seemingly withdrawn, the old man - generally believed to be Jacob - dominates the family group on the left due to his expressive power and the quality of the colour. Similarly, on the right, the female figure, usually thought to be Mary, is more prominent than the other members of the Holy Family and the child holding a mirror. Behind Mary in the shadow, Joseph holds the Christ child, who stretches out an arm toward the round mirror held out at the height of his face by a naked female child, possibly an allegory of the Church. The compositional schemes of the two neighbouring lunettes correspond: in both there is a female figure in the foreground seen in full, or half, profile and facing the outer wall of the chapel, and a male figure, on the internal side, with his torso seen frontally. Artist: MICHELANGELO Buonarroti Painting Title: Jacob - Joseph , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-957236.jpg)

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Künstler: Michelangelo Buonarroti

Gemälde IDENTIFIZIERUNG:: 62936
Michelangelo Buonarroti
Jacob
1511-12 Fresco Cappella Sistina, Vatican Mary, wrapped in a rose mantle which covers her yellow dress and its greenish shadows, wearing an exotic hairdress, turns toward the spectator. She is more prominent than the other members of the Holy Family behind her in the shadow: Joseph and the Christ child. Artist: MICHELANGELO Buonarroti Painting Title: Jacob - Joseph (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-635559.jpg)

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Künstler: Michelangelo Buonarroti

Michelangelo Buonarroti Achim Eliud Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62937
Michelangelo Buonarroti
Achim Eliud
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Zadok begat Achim. Achim begat Eliud. Eliud begat Eliazar." (Matthew 1:14-15) This is the first lunette on the south wall. The identity of the figures is not certain, and it is not possible to establish which of the two, Achim or Eliud, is the old man with a child next to him on the left, and which the child held by his mother on the right. The elaborate pose of the old man is very carefully constructed with vigorous twisting of the limbs. The sculptural effect of the figure is largely due to the prominence of the knees and the crossed arms, with the right elbow projecting notably and the hands folded in toward the body. This effect is heightened by the magnificent arrangement of the drapery, especially on the left knee and over the edge of the stone seat. The meditative attitude of the old man is counterbalanced on the other side of the lunette by the fascinating spontaneity of the woman's gestures. Turning toward her child, she stretches out her arm to take some food from a plate placed on a stool in the foreground. Artist: MICHELANGELO Buonarroti Painting Title: Achim - Eliud , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-443835.jpg)

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Künstler: Michelangelo Buonarroti

Gemälde IDENTIFIZIERUNG:: 62938
Michelangelo Buonarroti
Achim Eliud
1511-12 Fresco Cappella Sistina, Vatican Turning toward her child, the young woman stretches out her arm to take some food from a plate placed on a stool in the foreground. Artist: MICHELANGELO Buonarroti Painting Title: Achim - Eliud (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-269446.jpg)

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Künstler: Michelangelo Buonarroti

Michelangelo Buonarroti Azor Zadok Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62939
Michelangelo Buonarroti
Azor Zadok
1511-12 Fresco Cappella Sistina, Vatican "Eliakim begat Azor. Azor begat Zadok. Zadok begat Achim." (Matthew 1:13-14) This is the first lunette on the north wall. The absence of information regarding the figures represented has thwarted any attempt to identify them. On the left a seated woman is shown indicating something outside the lunette to a boy (or a girl) who seems to be engrossed in writing or drawing and turns somewhat hesitantly. The woman's pose, with its great naturalness and self-possession, is a variation on the twisted head, shoulders, and legs of the other figures. On the other side of the lunette, seen sideways on, but with his head turned toward the viewer, sits a solitary mature man, his face furrowed by deep lines. Tightly wrapped in his yellow ochre mantle, from which only his head and an arm emerge, he appears to be prey to distressing thoughts. The body, modelled concisely with great plastic power by the interplay of light and shade, and the pattern of the folds of the mantle, stands out clearly against the background. The number of figures present in this lunette is half that of the first lunettes painted by Michelangelo. This sense of isolation intensifies the expressive power of the figure of the pensive man, which some interpreted as being an imaginary self-portrait of the artist. Artist: MICHELANGELO Buonarroti Painting Title: Azor - Zadok , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-677284.jpg)

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Künstler: BOTTICELLI, Sandro

BOTTICELLI, Sandro Scenes from the Life of Moses Germany oil painting reproduction

Gemälde IDENTIFIZIERUNG:: 62947
BOTTICELLI, Sandro
Scenes from the Life of Moses
1481-82 Fresco Cappella Sistina, Vatican The central scene, in which Moses watering the sheep belonging to Jethro's daughters - one of them, Zipporah, later became his wife - is one of the most charming genre pictures in the entire cycle. According to the typologial interpretation, it is a reference to Christ, who looks after his Church. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
(new21/BOTTICELLI, Sandro-282786.jpg)

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Künstler: BOTTICELLI, Sandro

Gemälde IDENTIFIZIERUNG:: 62948
BOTTICELLI, Sandro
Scenes from the Life of Moses
1481-82 Fresco Cappella Sistina, Vatican The detail shows Moses taking off his shoes. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
(new21/BOTTICELLI, Sandro-834723.jpg)

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Künstler: BOTTICELLI, Sandro

Gemälde IDENTIFIZIERUNG:: 62949
BOTTICELLI, Sandro
Scenes from the Life of Moses
1481-82 Fresco Cappella Sistina, Vatican The detail shows a young girl and a soldier. Artist: BOTTICELLI, Sandro Painting Title: Scenes from the Life of Moses (detail) , 1451-1500 Painting Style: Italian , , religious
(new21/BOTTICELLI, Sandro-375464.jpg)

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Gemälde::. All people >> religious (Kaufen Sie eine spezielle ölmalerei?)