peop01059 Oljemålningar och Ramar,Bild inrätta,spegel people

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OljeMålningar::. Figur (Religion)

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Konstnär:: CARRACCI, Lodovico

CARRACCI, Lodovico The Virgin Appearing to St Hyacinth fdg Sweden oil painting reproduction

Oljemålning Nr:: 5949
CARRACCI, Lodovico
The Virgin Appearing to St Hyacinth fdg
1594 Oil on canvas, 375 x 223 cm Mus??e du Louvre, Paris

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Konstnär:: CASTELLO, Valerio

CASTELLO, Valerio The Miracle of the Roses dfg Sweden oil painting reproduction

Oljemålning Nr:: 5957
CASTELLO, Valerio
The Miracle of the Roses dfg
Oil on canvas, 47,5 x 37,5 cm The Hermitage, St. Petersburg

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Konstnär:: CASTELLO, Valerio

CASTELLO, Valerio Moses Striking the Rock dfg Sweden oil painting reproduction

Oljemålning Nr:: 5958
CASTELLO, Valerio
Moses Striking the Rock dfg
Oil on canvas Mus??e du Louvre, Paris

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Konstnär:: CASTELLO, Valerio

CASTELLO, Valerio Rebecca at the Well df Sweden oil painting reproduction

Oljemålning Nr:: 5959
CASTELLO, Valerio
Rebecca at the Well df
Oil on canvas, 80 x 55,5 cm The Hermitage, St. Petersburg

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Konstnär:: CATARINO

CATARINO Coronation of the Virgin fd Sweden oil painting reproduction

Oljemålning Nr:: 5965
CATARINO
Coronation of the Virgin fd
1375 Tempera on panel, 89 x 58 cm Gallerie dell'Accademia, Venice

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Konstnär:: CAVALLINI, Pietro

CAVALLINI, Pietro The Last Judgement (detail of the Apostles) fg Sweden oil painting reproduction

Oljemålning Nr:: 5973
CAVALLINI, Pietro
The Last Judgement (detail of the Apostles) fg
1295-1300 Fresco Santa Cecilia in Trastevere, Rome

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Konstnär:: CAVALLINI, Pietro

CAVALLINI, Pietro Annunciation vfhdfhs Sweden oil painting reproduction

Oljemålning Nr:: 5974
CAVALLINI, Pietro
Annunciation vfhdfhs
1291 Mosaic Santa Maria in Trastevere, Rome

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Konstnär:: CAVALLINO, Bernardo

CAVALLINO, Bernardo Esther and Ahaseurus df Sweden oil painting reproduction

Oljemålning Nr:: 5980
CAVALLINO, Bernardo
Esther and Ahaseurus df
1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence

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Konstnär:: CAVAROZZI, Bartolomeo

CAVAROZZI, Bartolomeo St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g Sweden oil painting reproduction

Oljemålning Nr:: 5982
CAVAROZZI, Bartolomeo
St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g
1608 Oil on canvas, 280 x 220 cm Basilica di San Marco, Rome

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Konstnär:: CEREZO, Mateo

CEREZO, Mateo Assumption of Mary khj Sweden oil painting reproduction

Oljemålning Nr:: 5985
CEREZO, Mateo
Assumption of Mary khj
Oil on canvas, 237 x 169 cm Museo del Prado, Madrid

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Konstnär:: CEREZO, Mateo

CEREZO, Mateo The Mystic Marriage of St Catherine klj Sweden oil painting reproduction

Oljemålning Nr:: 5986
CEREZO, Mateo
The Mystic Marriage of St Catherine klj
1660 Oil on canvas, 207 x 163 cm Museo del Prado, Madrid

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Konstnär:: CERUTI, Giacomo

CERUTI, Giacomo The Annunciation kljk Sweden oil painting reproduction

Oljemålning Nr:: 5991
CERUTI, Giacomo
The Annunciation kljk
Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.

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OljeMålningar::. Figur (Religion) (Beställer du tavlan som kan inte hittas i vår hemsida?)