Oil Paintings, Painted by Talent Swedish Artists.

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Pinturas::. All people >> religious

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Artista: CARRACCI, Lodovico
CARRACCI, Lodovico The Virgin Appearing to St Hyacinth fdg Spain oil painting reproduction


CARRACCI, Lodovico The Virgin Appearing to St Hyacinth fdg Spain oil painting reproduction

Pintura Identificación::  5949
CARRACCI, Lodovico
The Virgin Appearing to St Hyacinth fdg
1594 Oil on canvas, 375 x 223 cm Mus??e du Louvre, Paris
la vIrgen aparece delante de St Hyacinth fdg
1594 Óleo en lona, 375 x 223 cm Mus??e du Louvre, Paris
(CARRACCI, Lodovico6.jpg)

Artista: CASTELLO, Valerio
CASTELLO, Valerio The Miracle of the Roses dfg Spain oil painting reproduction


CASTELLO, Valerio The Miracle of the Roses dfg Spain oil painting reproduction

Pintura Identificación::  5957
CASTELLO, Valerio
The Miracle of the Roses dfg
Oil on canvas, 47,5 x 37,5 cm The Hermitage, St. Petersburg
el miraglo de Rosas dfg
Óleo en lona, 47,5 x 37,5 cm Ermita, St. Petersburg
(CASTELLO, Valerio2.jpg)

Artista: CASTELLO, Valerio
CASTELLO, Valerio Moses Striking the Rock dfg Spain oil painting reproduction


CASTELLO, Valerio Moses Striking the Rock dfg Spain oil painting reproduction

Pintura Identificación::  5958
CASTELLO, Valerio
Moses Striking the Rock dfg
Oil on canvas Mus??e du Louvre, Paris
Moses patinan en la roca dfg
Óleo en lona Mus??e du Louvre, Paris
(CASTELLO, Valerio3.jpg)

Artista: CASTELLO, Valerio
CASTELLO, Valerio Rebecca at the Well df Spain oil painting reproduction


CASTELLO, Valerio Rebecca at the Well df Spain oil painting reproduction

Pintura Identificación::  5959
CASTELLO, Valerio
Rebecca at the Well df
Oil on canvas, 80 x 55,5 cm The Hermitage, St. Petersburg
Rebecca at the Well df
Óleo en lona, 80 x 55,5 cm Ermita, St. Petersburg
(CASTELLO, Valerio4.jpg)

Artista: CATARINO
CATARINO Coronation of the Virgin fd Spain oil painting reproduction


CATARINO Coronation of the Virgin fd Spain oil painting reproduction

Pintura Identificación::  5965
CATARINO
Coronation of the Virgin fd
1375 Tempera on panel, 89 x 58 cm Gallerie dell'Accademia, Venice
la Coronación de la Virgen fd
1375 Tempera en panel, 89 x 58 cm Gallerie dell-Accademia, Venecia
(CATARINO1.jpg)

Artista: CAVALLINI, Pietro
CAVALLINI, Pietro The Last Judgement (detail of the Apostles) fg Spain oil painting reproduction


CAVALLINI, Pietro The Last Judgement (detail of the Apostles) fg Spain oil painting reproduction

Pintura Identificación::  5973
CAVALLINI, Pietro
The Last Judgement (detail of the Apostles) fg
1295-1300 Fresco Santa Cecilia in Trastevere, Rome
el último Juicio -detalle of the Apostles- fg
1295-1300 Fresco Santa Cecilia en Trastevere, Roma
(CAVALLINI, Pietro7.jpg)

Artista: CAVALLINI, Pietro
CAVALLINI, Pietro Annunciation vfhdfhs Spain oil painting reproduction


CAVALLINI, Pietro Annunciation vfhdfhs Spain oil painting reproduction

Pintura Identificación::  5974
CAVALLINI, Pietro
Annunciation vfhdfhs
1291 Mosaic Santa Maria in Trastevere, Rome
la Anunciación vfhdfhs
1291 Mosaic Santa Maria en Trastevere, Roma
(CAVALLINI, Pietro8.jpg)

Artista: CAVALLINO, Bernardo
CAVALLINO, Bernardo Esther and Ahaseurus df Spain oil painting reproduction


CAVALLINO, Bernardo Esther and Ahaseurus df Spain oil painting reproduction

Pintura Identificación::  5980
CAVALLINO, Bernardo
Esther and Ahaseurus df
1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence
Esther y Ahaseurus df
1645-50 Óleo en lona, 75 x 102 cm Galleria degli Uffizi, Florencia
(CAVALLINO, Bernardo4.jpg)

Artista: CAVAROZZI, Bartolomeo
CAVAROZZI, Bartolomeo St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g Spain oil painting reproduction


CAVAROZZI, Bartolomeo St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g Spain oil painting reproduction

Pintura Identificación::  5982
CAVAROZZI, Bartolomeo
St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g
1608 Oil on canvas, 280 x 220 cm Basilica di San Marco, Rome
St Ursula y sus Compañeros con Papa Ciriacus y San Catalina de Alejandría g
1608 Óleo en lona, 280 x 220 cm Basilica di San Marco, Roma
(CAVAROZZI, Bartolomeo1.jpg)

Artista: CEREZO, Mateo
CEREZO, Mateo Assumption of Mary khj Spain oil painting reproduction


CEREZO, Mateo Assumption of Mary khj Spain oil painting reproduction

Pintura Identificación::  5985
CEREZO, Mateo
Assumption of Mary khj
Oil on canvas, 237 x 169 cm Museo del Prado, Madrid
suposición de Virgen
Óleo en lona, 237 x 169 cm Museo del Prado, Madrid
(CEREZO, Mateo1.jpg)

Artista: CEREZO, Mateo
CEREZO, Mateo The Mystic Marriage of St Catherine klj Spain oil painting reproduction


CEREZO, Mateo The Mystic Marriage of St Catherine klj Spain oil painting reproduction

Pintura Identificación::  5986
CEREZO, Mateo
The Mystic Marriage of St Catherine klj
1660 Oil on canvas, 207 x 163 cm Museo del Prado, Madrid
la Boda Mistica de Santa Catalina klj
1660 Óleo en lona, 207 x 163 cm Museo del Prado, Madrid
(CEREZO, Mateo2.jpg)

Artista: CERUTI, Giacomo
CERUTI, Giacomo The Annunciation kljk Spain oil painting reproduction


CERUTI, Giacomo The Annunciation kljk Spain oil painting reproduction

Pintura Identificación::  5991
CERUTI, Giacomo
The Annunciation kljk
Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
la Anunciación kljk
Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king-s chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment- instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto -Louvre, Paris-. Champaigne-s art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
(CERUTI, Giacomo4.jpg)

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