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OljeMålningar:: Figur

Search For Oil Paintings Online Now !
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konstnär:: Jusepe de Ribera
Jusepe de Ribera St Albert oil painting picture wholesale


Jusepe de Ribera St Albert oil painting picture wholesale

Oljemålning Nr:  62305
Jusepe de Ribera
St Albert
230 x 170 mm British Museum, London Throughout his career, Ribera was an avid draftsman in pen and ink and in red chalk, and the chalk drawings in particular evince the approach of an artist trained in an Italian workshop. In this study of St Albert Ribera solves a problem of figure drawing with an ease that is rarely matched by Spanish painters of the period. The technique is Italianate as well: thin, closely spaced lines and soft shadows are used to delineate the body and musculature
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konstnär:: Diego Velazquez
Diego Velazquez Prince Baltasar Carlos with the Count oil painting picture wholesale


Diego Velazquez Prince Baltasar Carlos with the Count oil painting picture wholesale

Oljemålning Nr:  62310
Diego Velazquez
Prince Baltasar Carlos with the Count
Duke of Olivares at the Royal Mews (detail) c. 1636 Oil on canvas Collection of the Duke of Westminster, London The Count-Duke of Olivares stands in the middle ground to the right of the picture, with his master-at-arms; figures on the balcony above him include Philip IV, Queen Isabel and several courtiers who cannot be identified for certain
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konstnär:: BERRUGUETE, Alonso
BERRUGUETE, Alonso Last Supper oil painting picture wholesale


BERRUGUETE, Alonso Last Supper oil painting picture wholesale

Oljemålning Nr:  62313
BERRUGUETE, Alonso
Last Supper
1588-1603 Oil on canvas Museo de Bellas Artes, Seville In addition to Italian influences, the impact of northern painters, such as Marten de Vos and Maerten van Heemskerck, on painters in Seville at the end of the 16th century was important. The resulting hybrid of Italian and Flemish elements became the dominant mode of expression until well into the seventeenth century and is first observable in the work of Alonso V?zquez, who worked in Seville from 1588 until his departure for Mexico in 1603. His Last Supper, painted for the Carthusians of Santa Maria de las Cuevas, is a pastiche of poses and motifs borrowed from prints by or after Heemskerck, de Vos and Cornelis Cort. In fact the stylistic correspondence to the paintings by these northern late Mannerists is close enough to suggest that V?zquez had been able to study their works, perhaps in the collections of the resident Flemish community
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konstnär:: MURILLO, Bartolome Esteban
MURILLO, Bartolome Esteban Madonna and Child oil painting picture wholesale


MURILLO, Bartolome Esteban Madonna and Child oil painting picture wholesale

Oljemålning Nr:  62314
MURILLO, Bartolome Esteban
Madonna and Child
1670 Oil on canvas, 166 x 115 cm Gem?ldegalerie, Dresden The painting is also called as Madonna Legan?s, because it is assumed that it represents Do?a Maria Legan?s.
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konstnär:: Bartolome Esteban Murillo
Bartolome Esteban Murillo ) Infant Christ Offering a Drink of Water to St John oil painting picture wholesale


Bartolome Esteban Murillo ) Infant Christ Offering a Drink of Water to St John oil painting picture wholesale

Oljemålning Nr:  62316
Bartolome Esteban Murillo
) Infant Christ Offering a Drink of Water to St John
1675-80 Oil on canvas, 104 x 124 cm Museo del Prado, Madrid Murillo was one of the great devotional artists of all time, especially in his later years when he produced ingratiating compositions that inspire gentle, pious feelings. This painting is a superb example the sort of imagery that established Murillo's reputation in the seventeenth century and demolished it in the twentieth
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konstnär:: RIBALTA, Francisco
RIBALTA, Francisco Adoration of the Shepherds oil painting picture wholesale


RIBALTA, Francisco Adoration of the Shepherds oil painting picture wholesale

Oljemålning Nr:  62317
RIBALTA, Francisco
Adoration of the Shepherds
15 x 29,5 cm Museo de Bellas Artes, Bilbao This small painting was painted on a copper plate used for engraving, the back side of the plate shows an engraving of the Sermon of St Luis Beltr?n. The attribution to Juan Ribalta is debated, Francisco Ribalta and Pedro Orrente are also mentioned in the literature as possible author
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konstnär:: Luis Tristan
Luis Tristan The Adoration of the Magi oil painting picture wholesale


Luis Tristan The Adoration of the Magi oil painting picture wholesale

Oljemålning Nr:  62318
Luis Tristan
The Adoration of the Magi
232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different
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konstnär:: Samuel Palmer,OWS
Samuel Palmer,OWS Assumption oil painting picture wholesale


Samuel Palmer,OWS Assumption oil painting picture wholesale

Oljemålning Nr:  62320
Samuel Palmer,OWS
Assumption
1695-96 Oil on canvas, 77,5 x 110 cm Museo de Bellas Artes, Bilbao This painting is an oil sketch of the fresco which Palomino painted in 1696 in the Oratory of the Town Hall in Madrid. Palomino painted two other frescoes representing the same subject, both destroyed, one in the chapel of the San Juan de Dios hospital, and another in the El Paular Carthusian monastery near Segovia
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konstnär:: TIZIANO Vecellio
TIZIANO Vecellio Christ Carrying the Cross oil painting picture wholesale


TIZIANO Vecellio Christ Carrying the Cross oil painting picture wholesale

Oljemålning Nr:  62322
TIZIANO Vecellio
Christ Carrying the Cross
98 x 116 cm Museo del Prado, Madrid In this painting, which is also known as Christ and the Cyrenian, Titian vividly conveys the intense, physical suffering experienced by Christ as he is bowed down by the weight of the cross. The beholder is encouraged to meditate on the physical realism of the scene and empathise with Christ
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konstnär:: ORRENTE, Pedro
ORRENTE, Pedro The Supper at Emmaus oil painting picture wholesale


ORRENTE, Pedro The Supper at Emmaus oil painting picture wholesale

Oljemålning Nr:  62323
ORRENTE, Pedro
The Supper at Emmaus
81 x 101 cm Museum of Fine Arts, Budapest The Supper at Emmaus is set in a contemporary inn as in the famous composition of Caravaggio and thus it is genre-like. The foreground is composed as a still-life, its elements are typical in contemporary Spanish painting. The influence of Bassano can be clearly seen. However, the colours shows the Spanish 'tenebroso" tint. Variants of similar quality are in Bilbao museum and in Madrid, private collection. Secularized variant of the same composition (Christ is turned into a dice player) is in Mil?colletion, Barcelona
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konstnär:: Bartolome Esteban Murillo
Bartolome Esteban Murillo Angels Kitchen oil painting picture wholesale


Bartolome Esteban Murillo Angels Kitchen oil painting picture wholesale

Oljemålning Nr:  62324
Bartolome Esteban Murillo
Angels Kitchen
180 x 450 cm Mus?e du Louvre, Paris In his early pictures Murillo seems to have drawn the figures one by one, without attempting to unify the composition. But in the famous painting known as the Angels' Kitchen there is a greater narrative cohesion. Although the name of the protagonist is still somewhat uncertain, he may be the lay brother Francisco P?rez from the nearby town Alcal?de Guadaira, who spent thirty years as an assistant in the kitchen of the monastery San Francisco el Grande. According to the story he was much given to fervent prayer and one day became so lost in his devotions that he neglected his duties. Upon returning to consciousness, he was surprised to see that his chores had been miraculously accomplished. Murillo has embellished the legend with irresistibly charming details. Fray Francisco, who is bathed in an aura of golden light, floats above the ground in a mystical rapture. Next to him stand exquisitely painted angels, with richly coloured wings, while at the right putti and angels tackle the work of preparing the meal, grinding spices, stirring the hotpot, and setting the table in the midst of a delicious still-life of vegetables and cookware. Painted when the artist was approaching thirty years of age, this painting announces the arrival of a new talent and temper in Sevillian painting
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konstnär:: El Greco
El Greco The Annunciation oil painting picture wholesale


El Greco The Annunciation oil painting picture wholesale

Oljemålning Nr:  62325
El Greco
The Annunciation
128 x 83 cm Toledo Museum of Art, Toledo, Ohio The colour and ecstatic movement is of the utmost splendour and grace, appropriate to the presentation of this particular Mystery, one of El Greco's favourite themes. The painting is a later and simpler version of the subject painted for the Colegio de Do?a Maria, Madrid
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konstnär:: Bartolome Esteban Murillo
Bartolome Esteban Murillo Flight into Egypt oil painting picture wholesale


Bartolome Esteban Murillo Flight into Egypt oil painting picture wholesale

Oljemålning Nr:  62326
Bartolome Esteban Murillo
Flight into Egypt
155,5 x 125 cm Museum of Fine Arts, Budapest Murillo painted several variants of this popular subject, this is not the best among them. There is an autograph variant of this painting in the Pushkin Museum, Moscow
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konstnär:: GRECO, El
GRECO, El The Purification of the Temple after oil painting picture wholesale


GRECO, El The Purification of the Temple after oil painting picture wholesale

Oljemålning Nr:  62327
GRECO, El
The Purification of the Temple after
106 x 104 cm Parish Church of San Gin?s, Madrid This version of the subject dates from the last years of El Greco's career. It is assumed that the painting was partly executed by Jorge Manuel. However, it bears El Greco's signature and its quality is very high. The painting is very close to the version in the National Gallery in London. The most remarkable changes relate to the architectural setting. El Greco shifted the action from the Temple porch to the inner sanctuary. At the centre of the structure supporting the altarpiece is a tomb-like object with an obelisk. On the left there is a relief of the Expulsion of Adam and Eve, and above it a statue of a naked male figure who has been variously identified as Adam, his son Seth or an unidentified idol. The changes introduced into this version indicate El Greco's continuing reflection of the subject. He continued to add layers of interpretation to the end of his career
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konstnär:: GRECO, El
GRECO, El St John the Evangelist oil painting picture wholesale


GRECO, El St John the Evangelist oil painting picture wholesale

Oljemålning Nr:  62330
GRECO, El
St John the Evangelist
90 x 77 cm Museo del Prado, Madrid There is an analogous version in the Cathedral of Toledo which is part of a series of the twelve Apostles, called Apostolados. It is assumed by some scholars that this painting also belonged to a similar series. Author: GRECO, El Title: St John the Evangelist , 1551-1600 , Spanish Form: painting , religious
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konstnär:: GRECO, El
GRECO, El Adoration of the Shepherds oil painting picture wholesale


GRECO, El Adoration of the Shepherds oil painting picture wholesale

Oljemålning Nr:  62331
GRECO, El
Adoration of the Shepherds
11 x 47 cm Galleria Nazionale d'Arte Antica, Rome The two paintings in the Galleria Nazionale d'Arte Antica in Rome (Adoration of the Shepherds, Baptism of Christ) were considered workshop pieces or autograph replicas of two of the three pictures that El Greco executed for the Colegio di Do?a Mar?a de Arag?n in Madrid (now dispersed and housed in the Muzeul de Arta, Bucharest and the Museo del Prado, Madrid). However, a recent radiographic analysis (1997) has proven that they are original oil sketches by the hand of El Greco himself. The presence of pentimenti, compositional emendations beneath the paint surface, reveals the creative process of the artist and leads to the conclusion that these are not copies but preparatory bozzetti for the Madrid cycle. The important commission, probably designed as a triptych to decorate the high altar of the chapel, was given to El Greco in 1596: work continued until the Holy Year of 1600. The third oil sketch, depicting the Annunciation, is preserved at the museum in Bilbao. The silvery light, the coloristic range based on cold tones, the quick, almost impressionistic brushwork and the use of strong contrasts of light and shadow in this picture are all typical characteristics of El Greco's Spanish manner (1576-1614). Author: GRECO, El Title: Adoration of the Shepherds , 1551-1600 , Spanish Form: painting , religious
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konstnär:: GRECO, El
GRECO, El The Annunciation oil painting picture wholesale


GRECO, El The Annunciation oil painting picture wholesale

Oljemålning Nr:  62332
GRECO, El
The Annunciation
315 x 174 cm Museo del Prado, Madrid The "expressionist" stylistic traits, characteristic of El Greco's paintings at the end of the 1590s, are also found in the paintings of a retable El Greco created for the Augustinian college of Nuestra Se?ora de la Encarnacion in Madrid between 1596 and 1600. The patroness of the college, the lady-in-waiting Do?a Mar?a de Cordoba y Arag?n, had died back in 1593, implying that the commission likely came from her executor. The retable, like many other works in possession of the Church, was disassembled into its component parts during the French occupation of Spain. All we know from the surviving written sources is that El Greco supplied a total of seven paintings. This Annunciation in the Prado is one of these paintings, and it is an especially good example of the daring palette that characterizes the entire series. At the bottom of the canvas, the terrestrial world is barely indicated by the steps, sewing basket and rose-bush in flame. The flames are rendered so naturalistically that they probably have appeared to mirror the real candle flames burning on the altar during the celebration of the Mass. But above and beyond El Greco has distorted light, colour and form. Indeed,all the form are in a state of flux. the grand rhythm of the wings of Gabriel and the Holy Spirit quicken the drama. Garments of crystalline blue, crimson and yellow-green vibrate against the blue-grey void. Incandescent light is reflected off the figures with such intensity that each seems to be its own source of light
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konstnär:: GRECO, El
GRECO, El The Annunciation oil painting picture wholesale


GRECO, El The Annunciation oil painting picture wholesale

Oljemålning Nr:  62333
GRECO, El
The Annunciation
1596-1600 Oil on canvas Museo del Prado, Madrid Author: GRECO, El Title: The Annunciation (detail) , 1551-1600 , Spanish Form: painting , religious
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konstnär:: GRECO, El
GRECO, El The Annunciation oil painting picture wholesale


GRECO, El The Annunciation oil painting picture wholesale

Oljemålning Nr:  62334
GRECO, El
The Annunciation
114 x 67 cm Thyssen-Bornemisza Collection, Madrid This painting is a remarkably fine reduced replica of one of El Greco's most haunting images, the Annunciation in the Prado, Madrid, that is almost three times as large. The Prado Annunciation formed the centre of the elaborate altarpiece commissioned from the artist in 1596 for the Colegio de Do?a Mar?a de Arag?n. El Greco's habit of making reduced replicas is amply documented. It is common knowledge that El Greco kept smaller, preliminary versions of almost all his works at home to show to his customers, and that he considered them finished, definitive works in themselves. Author: GRECO, El Title: The Annunciation , 1551-1600 , Spanish Form: painting , religious
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konstnär:: GRECO, El
GRECO, El Adoration of the Shepherds oil painting picture wholesale


GRECO, El Adoration of the Shepherds oil painting picture wholesale

Oljemålning Nr:  62335
GRECO, El
Adoration of the Shepherds
1596-1600 Oil on canvas National Museum of Art of Romania, Bucharest The detail shows the lower part of the painting which was probably on the left of the retable of the Colegio de Do?a Maria. Author: GRECO, El Title: Adoration of the Shepherds (detail) , 1551-1600 , Spanish Form: painting , religious
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OljeMålningar:: Figur