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Oil Paintings, Painted by Talent Swedish Artists.

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Pinturas::. All people >> religious

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unknow artist Book of Prayers of St Elisabeth of Hungary Spain oil painting reproduction

Pintura Identificación:: 65206
unknow artist
Book of Prayers of St Elisabeth of Hungary
1220 Illumination on parchment Museo Archeologico Nazionale, Cividale The two scenes in a single frame depict Biblical scenes: the Annunciation and the Birth of Christ. At the left side of each scene a prophet (Amos and Isaias) can be seen. The style of the miniatures reflects the influence of the so-called new-Byzantine style prevailing in the workshops of Erfurt. The codex originally belonged to Sophie, Princess of Bavaria. According to an inscription on page 2, St Elisabeth gave it to the Treasury of the Cividale church in 1220. Artist: MINIATURIST, German , Book of Prayers of St Elisabeth of Hungary , 1201-1250 , German , illumination , religious
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unknow artist Rheinau Psalter Spain oil painting reproduction

Pintura Identificación:: 65209
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Rheinau Psalter
13th century Illumination on parchment Zentralbibliothek, Zurich The main characters of this crowded composition depicting the Kiss of Judas are Christ and Judas in the centre. On the left side Apostle Peter can be seen as cutting the ear of a soldier. The beautiful frame of the scene is remarkable. The codex was made in the Rheinau monastery. Artist: MINIATURIST, German , Rheinau Psalter , 1201-1250 , German , illumination , religious
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unknow artist St Matthew's Gospel Spain oil painting reproduction

Pintura Identificación:: 65210
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St Matthew's Gospel
1235-40 Illumination on parchment, 33,5 x 25 cm St?dtische Sammlung, Rathaus, Goslar The title page of the Evangeliary shows the Adoration of the Magi, the Dream of St Joseph and the Evangelist St Matthew. The style is expressive in its abrupt gestures and unexpected contortions of the drapery. The style survived for about eighty years and then was replaced by the more refined Parisian fashion. Artist: MINIATURIST, German , St Matthew's Gospel , 1201-1250 , German , illumination , religious
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unknow artist French Bible of Hainburg Spain oil painting reproduction

Pintura Identificación:: 65212
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French Bible of Hainburg
1300-20 Illumination on parchment Episcopal Library, P?cs This miniature depicting King David Kneeling is from the French Bible of Hainburg, the finest illuminated manuscript of the Episcopal Library of P?cs, Hungary. The French Bible was made in Northern France at the beginning of the 14th century. The miniatures with lively figures and decorative background represent scenes from the Old Testament. Artist: MINIATURIST, French , French Bible of Hainburg , 1301-1350 , French , illumination , religious
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unknow artist Frankish Psalter Spain oil painting reproduction

Pintura Identificación:: 65213
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Frankish Psalter
1279 Illumination on parchment Cathedral Library, Esztergom This initial representing King David, Adam and Eve is from the Frankish Psalter, a richly illuminated manuscript preserved in the Cathedral Library of Esztergom, Hungary. The Biblical compositions of the manuscript, painted in brilliant colours, show the solemn sternness of 13th century codex painting. Artist: MINIATURIST, Frankish , Frankish Psalter , 1251-1300 , Other , illumination , religious
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Pintura Identificación:: 65214
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Frankish Psalter
1279 Illumination on parchment Cathedral Library, Esztergom This initial representing the Three Magi is from the Frankish Psalter, a richly illuminated manuscript preserved in the Cathedral Library of Esztergom, Hungary. The Biblical compositions of the manuscript, painted in brilliant colours, show the solemn sternness of 13th century codex painting. Artist: MINIATURIST, Frankish , Frankish Psalter , 1251-1300 , Other , illumination , religious
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Pintura Identificación:: 65215
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Frankish Psalter
1279 Illumination on parchment Cathedral Library, Esztergom This initial representing Christ and the Doubting Thomas is from the Frankish Psalter, a richly illuminated manuscript preserved in the Cathedral Library of Esztergom, Hungary. The Biblical compositions of the manuscript, painted in brilliant colours, show the solemn sternness of 13th century codex painting. Artist: MINIATURIST, Frankish , Frankish Psalter , 1251-1300 , Other , illumination , religious
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Pintura Identificación:: 65216
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Frankish Psalter
1279 Illumination on parchment Cathedral Library, Esztergom This initial representing the Crowning of Mary is from the Frankish Psalter, a richly illuminated manuscript preserved in the Cathedral Library of Esztergom, Hungary. The Biblical compositions of the manuscript, painted in brilliant colours, show the solemn sternness of 13th century codex painting. Artist: MINIATURIST, Frankish , Frankish Psalter , 1251-1300 , Other , illumination , religious
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Pintura Identificación:: 65217
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French Bible of Hainburg
1300-20 Illumination on parchment Episcopal Library, P?cs This miniature depicting King David Taken Ill is from the French Bible of Hainburg, the finest illuminated manuscript of the Episcopal Library of P?cs, Hungary. The French Bible was made in Northern France at the beginning of the 14th century. The miniatures with lively figures and decorative background represent scenes from the Old Testament. Artist: MINIATURIST, French , French Bible of Hainburg , 1301-1350 , French , illumination , religious
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Pintura Identificación:: 65246
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French Bible of Hainburg
1300-20 Illumination on parchment Episcopal Library, P?cs This miniature depicting the Madonna Enthroned is from the French Bible of Hainburg, the finest illuminated manuscript of the Episcopal Library of P?cs, Hungary. The French Bible was made in Northern France at the beginning of the 14th century. The miniatures with lively figures and decorative background represent scenes from the Old Testament. Artist: MINIATURIST, French , French Bible of Hainburg , 1301-1350 , French , illumination , religious
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unknow artist St Bartholomew and St Thomas Spain oil painting reproduction

Pintura Identificación:: 65247
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St Bartholomew and St Thomas
1395 Tempera on wood, 65,5 x 49,5 cm National Gallery, Prague The work is a fragment of the epitaph of Jan of Jeren, canon of Prague, who died in 1395 and was buried in Prague Cathedral. The inscribed panel must have been set on his tomb a short time afterwards. The Madonna and Child may have been in the centre of the surviving right-hand part, while on the left further saints and the praying figure of the donor may have completed the composition. The Apostles Bartholomew and Thomas are standing on a narrow strip of ground in front of a shining golden background. Their figures are surrounded by abundant intricate draperies, whose edges of soft lines, corners and folds which tumble down like waterfalls seem to live a separate life independent of the bodies. The bright colours of the two saints' cloaks complement one another-as do the hues of the linings. The pink lining of the green cloak and the blue lining of the red one serve a purely decorative function. The artist composed the two figures so as to create harmonious forms. The right-hand edge of St Bartholomew's draperies, forming a gently wavy line and the straight left-hand contour of St Thomas's mantle, which appears to continue the line of the spear, run very near each other. This narrow stripe turns the two figures into a form springing from the same basis and bending in two opposite directions. At the bottom the formation is completed by the green cloak flowing into the red one, while at the top it is enclosed by the tips of the flaying knife and of the spear which touch each other. Artist: UNKNOWN MASTER, Bohemian , St Bartholomew and St Thomas , 1351-1400 , Bohemian , painting , religious
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unknow artist First Folio of the Golden Bull of Charles IV Spain oil painting reproduction

Pintura Identificación:: 65248
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First Folio of the Golden Bull of Charles IV
1400 Vellum, 42 x 29,5 cm ?sterreichische Nationalbibliothek, Vienna In 1400 Wenceslas, King of Bohemia and Emperor of the Holy Roman Empire, had a copy made of the Golden Bull - a version of the Empire's constitution - first issued in 1356. The copy is richly decorated and displays a number of the emblems of Wenceslas himself. We do not know what part political considerations played in the commission, nor how great a part was played by his enthusiasm for beautiful books. At all events, in the same year Wenceslas was deprived by the electors from his rank as emperor. The volume is among the few that survived from his magnificent library. The text arranged in two columns is encircled by stylized acanthus leaves and scrolls. The light colours of the fleshy leaves appear like tongues of flames in the space they have created for themselves. A variety of tiny figures and animals painted from a close observation of nature, or derived from fairytales, are to be seen among the serpentine vines: birds, monkeys, a bear, a dog, a crouching monk, a "savage" in animals' skins who is holding a heraldic shield, girls dressed in light and loose garments, etc. In their shapes and colours these figures resemble the foliate ornaments, curving along with the vines. Indeed, the maidens' draperies are tied at the waist, and look like vines. On the other hand, the blue acanthus leaves in the round field in the bottom right turn into spilt water, where the tub has been turned upside down. Below the entangled foliate ornaments the motifs are compressed around a three-dimensional letter W, in which the monarch himself is depicted. The humorous detail with the bathing-women, a nearly nude female figure and towels tied into knots are, on the one hand, symbols of the Luxembourg dynasty and, on the other, of eroticism, referring to the love of the King and Queen, inspired by the plays of chivalric poetry. But, in addition to this, a romantic and Utopian desire for general physical and spiritual cleansing is also expressed in these representations (motifs of bathing) as well as for a return to the primordial state of mankind (the savage). The text of the Golden Bull begins with a prayer to the Creator, which is illustrated by the Maiestas Domini on the right-side column. The figures of the Lord and two praying angels appear in a three-dimensional frame which seems to lift their figures from the sphere of the world of nature; nevertheless it does not break the homogeneity of the folio, because it gives the impression of being stretched between two green stems of the foliate decoration, while new shoots spring from its corners. Artist: UNKNOWN MASTER, Bohemian , First Folio of the Golden Bull of Charles IV , 1351-1400 , Bohemian , graphics , historical
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