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Pinturas::. All people >> religious

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Artista: CEREZO, Mateo
CEREZO, Mateo The Mystic Marriage Spain oil painting reproduction


CEREZO, Mateo The Mystic Marriage Spain oil painting reproduction

Pintura Identificación::  62361
CEREZO, Mateo
The Mystic Marriage
207 x 163 cm Museo del Prado, Madrid Mateo Cerezo, a pupil of Carre?o, was a gifted painter and a good colorist in the Madrid school of painters.
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Artista: Pedro Sanchez
Pedro Sanchez Descent from the Cross Spain oil painting reproduction


Pedro Sanchez Descent from the Cross Spain oil painting reproduction

Pintura Identificación::  62362
Pedro Sanchez
Descent from the Cross
320 x 191 cm (entire painting) Cathedral, Seville In Seville, the second third of the sixteenth century also witnessed the introduction of a style of painting that reflected the ascendancy of Raphael. In this center, the most important artist of the period were undoubtedly of Northern origin: the Dutchman Fernando Esturmio (Storm), and the Fleming Pedro de Campa?a (Kempeneer). The latter, the more gifted of the two, was born in Brussels in 1503. He was trained in Italy, but in 1537 he is known to have been employed in the Cathedral of Seville. Shortly before 1563 he returned to his native country. The style of this master includes elements derived from Michelangelo, but these are offset by original plastic qualities and a sense of drama. One of Campa?a's key works is the Descent from the Cross (1547) in Seville cathedral, a painting that anticipates the Baroque of Rubens and was much admired by other Spanish artists, particularly Murillo. Campa?a had a more amiable and genuinely Raphaelesque side, evident in the altarpiece of the Marshal's Chapel in Seville cathedral, which he was commissioned to paint in 1555. His progress toward the Baroque and his interest in the rendering of light are revealed in his admirable Adoration of the Magi, which was painted in 1557
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Artista: Machuca, Pedro
Machuca, Pedro Descent from the Cross Spain oil painting reproduction


Machuca, Pedro Descent from the Cross Spain oil painting reproduction

Pintura Identificación::  62363
Machuca, Pedro
Descent from the Cross
141 x 128 cm (incl. frame) Museo del Prado, Madrid Machuca was an extraordinary artist, an architect, sculptor and painter. He built the palace of Charles V in Granada, a work of exceptional quality, one of the very few existing Renaissance buildings with a circular court. His training as an architect is evident in the design of the original ornamented frame of this painting with plenty of decorative elements typical of the architecture of first Spanish Renaissance or Plateresque style. It is indicated on this frame that the altarpiece was ordered by Do?a In?s de Castillo, and it was finished in 1547
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Artista: Gonzales Coques
Gonzales Coques Family Portrait Spain oil painting reproduction


Gonzales Coques Family Portrait Spain oil painting reproduction

Pintura Identificación::  62366
Gonzales Coques
Family Portrait
65,5 x 89,5 cm Museum of Fine Arts, Budapest The painting presumably shows Jacques van Eyck, the chief justice of Antwerp in the bosom of his family. They gather on the terrace of their palace. The painting is relatively small but is provided with some essential attributes of the representative Baroque portrait
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Artista: TRAVERSI, Gaspare
TRAVERSI, Gaspare Finding of Moses Spain oil painting reproduction


TRAVERSI, Gaspare Finding of Moses Spain oil painting reproduction

Pintura Identificación::  62367
TRAVERSI, Gaspare
Finding of Moses
122 x 152 cm Private collection Diziani, who painted narrative (biblical and mythological) scenes, treated this subject several times. Author: DIZIANI, Gaspare Title: Finding of Moses , 1701-1750 , Italian Form: painting , religious
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Artista: CEREZO, Mateo
CEREZO, Mateo The Mystic Marriage of St Catherine Spain oil painting reproduction


CEREZO, Mateo The Mystic Marriage of St Catherine Spain oil painting reproduction

Pintura Identificación::  62368
CEREZO, Mateo
The Mystic Marriage of St Catherine
207 x 163 cm Museo del Prado, Madrid After his return to Madrid around 1660, Cerezo's development was rapid as a religious painter and as one of the most appealing still-life artist of the period. These abilities are already evident in his Mystic Marriage of St Catherine, where the bright colours, sparkling textures, and harmonious composition show his precocious
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Artista: Cano, Alonso
Cano, Alonso Saint John the Evangelist's Vision of Jerusalem Spain oil painting reproduction


Cano, Alonso Saint John the Evangelist's Vision of Jerusalem Spain oil painting reproduction

Pintura Identificación::  62369
Cano, Alonso
Saint John the Evangelist's Vision of Jerusalem
1636-37 Oil on canvas, 83 x 44 cm Wallace Collection, London This painting, contracted on 23 November 1635, was executed for the convent church of Santa Paula in Seville. It is evident that the artist had mastered an Italianate manner of painting; the figure of the angel alone is sufficient to corroborate this observation. The partly clad body, the complicated, foreshortened pose, and the mastery of anatomical drawing are unique elements in Sevillian painting of the time, as are the deep perspective of the landscape and the delicate, translucent colours. Cano's mastery of this facile, sophisticated style suggests that he had passed time in Italy, although there is not the slightest evidence that he left the city until his final departure in 1638
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Artista: GIUSTO de Menabuoi
GIUSTO de Menabuoi Adam and Eve Spain oil painting reproduction


GIUSTO de Menabuoi Adam and Eve Spain oil painting reproduction

Pintura Identificación::  62378
GIUSTO de Menabuoi
Adam and Eve
1376-78 Fresco Baptistry, Cathedral, Padua Author: GIUSTO de' Menabuoi Title: Adam and Eve (detail) , 1351-1400 , Italian Form: painting , religious
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Artista: GIuseppe Cesari Called Cavaliere arpino
GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes Spain oil painting reproduction


GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes Spain oil painting reproduction

Pintura Identificación::  62382
GIuseppe Cesari Called Cavaliere arpino
Judith with the Head of Holofernes
61,3 x 48 cm Berkeley Art Museum, University of California Cavaliere d'Arpino's (Giulio Cesari's) Judith with the Head of Holofernes symbolically alludes to the violent decapitation of the Assyrian general without showing the gruesome moment that both Caravaggio and Artemisia Gentileschi chose to depict. Instead a beautiful, almost demure, Judith raises Holofernes' head by his locks as her maidservant Abra looks on in puzzled reverence. Cavaliere d'Arpino's Judith is the embodiment of female virtue and moral perfection, an ideal heroine who has redeemed her people. Yet, at the same time, she seems capable of exercising her seductive powers directly upon the viewer, as if the beholder were Holofernes. She is in possession of two dangerous weapons, her sword and her sexual allure. In 1602-03 Cavaliere d'Arpino had frescoed a series of Old Testament heroines in the Villa Aldobrandini at Frascati. There he depicted Judith as a full-length figure striding across the plain in front of the enemy encampment while Abra follows behind stuffing Holofernes' head into a sack. Topologically the figures are very similar, but in the easel painting Cavaliere d'Arpino condensed the composition so that the picture essentially becomes an idealised 'portrait' of Judith. In this sense it is very close to his Diana (Pinacoteca Capitolina, Rome), in which the huntress is also reduced to a half-length idealised figure. In both these 'portraits' there is an emphasis on the decorative effects of colour and design. The brilliant reds, blues and whites of Judith's costume serve as a foil for the carefully delineated jewels and golden sword hilt. Baglione emphasised that Cavaliere d'Arpino was capable of working in two different styles, one of which was far more superficial than the other. It is likely that the more
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Artista: BEER, Jan de
BEER, Jan de Triptych Spain oil painting reproduction


BEER, Jan de Triptych Spain oil painting reproduction

Pintura Identificación::  62384
BEER, Jan de
Triptych
76,4 x 24,5 cm (each wing) Wallraf-Richartz Museum, Cologne Jan de Beer was a Flemish painter, one of the Antwerp Mannerist school many of whose paintings were formerly ascribed to him. The central panel depicts the Adoration of the Shepherds. On the left wing is St Felicity with her sons and on the right is St Ursula with her followers. The composition and style are characteristic of Antwerp Mannerism of the early 16th century. Author: BEER, Jan de Title: Triptych , 1501-1550 , Flemish Form: painting , religious
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Artista: Caravaggio
Caravaggio David Spain oil painting reproduction


Caravaggio David Spain oil painting reproduction

Pintura Identificación::  62390
Caravaggio
David
110 x 91 cm Museo del Prado, Madrid This painting addresses the subject of David and Goliath, which the artist repeatedly dealt with later in his career, with a perfect linearity of means and intelligence of iconographic invention. As in the early Renaissance, David is shown as the adolescent who triumphs not by his strength, but by his power of character and his faith. The oblique pose of the figure (David stands partly parallel to the picture plane) is constructed with admirable skill. Caravaggio has a particular importance for Spain, for he originated the realist and 'tenebrist' style of painting that enjoyed such development and popularity there in the work of such artists as Ribera and Zurbar?n. This mature work demonstrates the fundamentals of his art: an emphatic solidity created by a harsh contrast of light and shade; the immediacy created by staging the action right in the foreground, and eliminating all superfluous space around it (conventionally, David would have been given room to stand up, so to speak,', ', ', ', ', ', ', '); the elimination of decoration, such as colour or elegant posture, in order to concentrate on the drama alone
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Artista: unknow artist
unknow artist Book of Hours Spain oil painting reproduction


unknow artist Book of Hours Spain oil painting reproduction

Pintura Identificación::  62395
unknow artist
Book of Hours
1452-60 Illumination on parchment Mus?e Cond? Chantilly The miniature was executed by Jean Fouquet (1420-1480). There are 40 beautiful miniatures in the Chantilly Museum from the horary book of ?tienne Chevalier. One of these represents ?tienne Chevalier and his Patron. Chevalier is similar than in the Berlin portrait by Fouquet, however, he looks much older in the miniature. Other miniatures from this Book of Hours can be seen at Jean
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