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Tableau::. All people >> religious

Search For Oil Paintings Online Now !
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Artiste: unknow artist
unknow artist The Annunciation France oil painting reproduction


unknow artist The Annunciation France oil painting reproduction

ID de tableau::  65001
unknow artist
The Annunciation
1430 Wood, 140 x 169 cm Museu Nacional d'Art de Catalunya, Barcelona The anonymous Castilian painter who in the first half of the fifteenth century painted this Annunciation was probably more of a craftsman than an artist. Certainly he had not assimilated the pictorial innovations already evident in Italy and north of the Alps. The work reveals an independence in the treatment which calls to mind the way in which the peasant craftsmen of Eastern Europe freely adapted acknowledged styles to suit local tastes when they decorated some of the churches of the Carpathian Basin. This work owes a great deal to Gothic art, but the Castilian painter has given free rein to his love of ornamentation. The lack of perspective seems unimportant where there is such a decorative use of colour for the garments, and the vase with three lilies distracts us from the clumsy proportions of the figure of Mary. , UNKNOWN MASTER, Spanish , The Annunciation , 1401-1450 , Spanish , painting , religious
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Artiste: unknow artist
unknow artist Gradual of Vladislaus II France oil painting reproduction


unknow artist Gradual of Vladislaus II France oil painting reproduction

ID de tableau::  65004
unknow artist
Gradual of Vladislaus II
1500-20 Illumination on parchment Cathedral Library, Esztergom The miniature depicting Pope St Gregory Enthroned is from the Gradual of Vladislaus II, King of Hungary (1490-1516). The Gradual is a representative work of art of the late-Gothic Czech illuminations. It was created by Janicek Zmilely z Pisku, a Prague miniaturist, at the begining of the 16th century, relying on contemporary engravings. , MINIATURIST, Bohemian , Gradual of Vladislaus II , 1451-1500 , Bohemian , illumination , religious
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Artiste: unknow artist
unknow artist St Elizabeth Clothes the Poor and Tends the Sicks France oil painting reproduction


unknow artist St Elizabeth Clothes the Poor and Tends the Sicks France oil painting reproduction

ID de tableau::  65005
unknow artist
St Elizabeth Clothes the Poor and Tends the Sicks
1390s Tempera on pine, 123,4 x 49,2 cm Wallraf-Richartz Museum, Cologne This panel was once the inside of the right wing of an altarpiece. The outside of the wing (also in the Museum) shows the Descent from thee Cross. With another panel in the Wilhelm-Hack Museum, Ludvigshafen, this is part of a 'Misericordia' altarpiece depicting the Acts of' Mercy, and probably once stood in a hospital in Cologne. , UNKNOWN MASTER, German , St Elizabeth Clothes the Poor and Tends the Sicks , 1351-1400 , German , painting , religious
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Artiste: unknow artist
unknow artist Tomb of Don Sancho Saiz de Carillo France oil painting reproduction


unknow artist Tomb of Don Sancho Saiz de Carillo France oil painting reproduction

ID de tableau::  65008
unknow artist
Tomb of Don Sancho Saiz de Carillo
1300 Panel Museu Nacional d'Art de Catalunya, Barcelona The linear style is remarkable for its subtlety. It is characterized, particularly in northern Spain, by undulating rhythms and a refined color scale. The backgrounds, in which architecture, furniture, and occasionally utensils are schematically represented, are in monochrome, but the figures that occupy the foreground have an expressive humanity, very different from the hieratic formalism of the past. A typical and very ancient example of the calligraphic style is the decoration of the tomb of Don Sancho Saiz de Carrillo (Barcelona Museum). This comes from Mahamud (Burgos) and marks the beginning of the Gothic style in Castile. , UNKNOWN MASTER, Spanish , Tomb of Don Sancho Saiz de Carillo (detail) , 1301-1350 , Spanish , painting , religious
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Artiste: unknow artist
unknow artist Tomb of Don Sancho Saiz de Carillo France oil painting reproduction


unknow artist Tomb of Don Sancho Saiz de Carillo France oil painting reproduction

ID de tableau::  65009
unknow artist
Tomb of Don Sancho Saiz de Carillo
1300 Panel Museu Nacional d'Art de Catalunya, Barcelona The so-called Linear Style of the Gothic painting developed principally in the north of Spain, its straight lines and rigid figurative scheme recalling contemporary Romanesque Apocalypse manuscripts. The row of lamenting women on the ceiling of the tomb, now in Barcelona, of Sancho Saiz Carillo, a nobleman from Burgos, is Gothic only in that the figures are positioned in rows and overlap. The posture and gestures, even the physiognomies, are borrowed from a largely traditional style that still clearly bears signs of the Romanesque. The work's firm lines make it a particularly bold exmple of the Linear Style, which dominated Spanish painting in the years between 1290 and 1350. , UNKNOWN MASTER, Spanish , Tomb of Don Sancho Saiz de Carillo (detail) , 1301-1350 , Spanish , painting , religious
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Artiste: unknow artist
unknow artist Ursula with her Parents at the Altar France oil painting reproduction


unknow artist Ursula with her Parents at the Altar France oil painting reproduction

ID de tableau::  65014
unknow artist
Ursula with her Parents at the Altar
1492-96 Canvas, 124 x 115 cm Wallraf-Richartz Museum, Cologne This painting is the fourth in a cycle of 19 pictures of the legend of Ursula which today are scattered throughout the museums of Europe. Originally it was in the Stiftkirche of St Severin in Cologne. The artist of the painting is referred to as the Master of the Ursula Legend. , UNKNOWN MASTER, German , Ursula with her Parents at the Altar , 1451-1500 , German , painting , religious
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Artiste: unknow artist
unknow artist St Francis Altarpiece France oil painting reproduction


unknow artist St Francis Altarpiece France oil painting reproduction

ID de tableau::  65019
unknow artist
St Francis Altarpiece
1500-05 Oak, 132,5 x 163 cm Wallraf-Richartz Museum, Cologne The central panel shows St Francis receiving the stigmata, and also other scenes from his legend. On the left wing are Sts John Capistran and Bonaventura; on the right wing Sts Louis of Toulouse and Bernard of Siena (not illustrated). On the exteriors are St Francis and five Moroccan martyrs of the Order (not illustrated). This altarpiece is an important example of the iconography of St Francis and of Franciscan propaganda. The altarpiece was executed by two masters referred to as the Master of St Severin and the Master of the Ursula Legend. , UNKNOWN MASTER, German , St Francis Altarpiece (central panel) , 1501-1550 , German , painting , religious
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Artiste: unknow artist
unknow artist The Adoration of the Magi France oil painting reproduction


unknow artist The Adoration of the Magi France oil painting reproduction

ID de tableau::  65022
unknow artist
The Adoration of the Magi
1505 Oak, 57,2 x 50,7 cm Wallraf-Richartz Museum, Cologne In contrast to most of the large-scale and ceremonious images of the Magi in Cologne this small-format picture depicts an intimate and familiar scene. Idealism is combined with realistic observation. The artist of the panel is referred to as the Master of St Severin. , UNKNOWN MASTER, German , The Adoration of the Magi , 1501-1550 , German , painting , religious
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Artiste: unknow artist
unknow artist Triptych France oil painting reproduction


unknow artist Triptych France oil painting reproduction

ID de tableau::  65033
unknow artist
Triptych
85,3 x 95 cm (central panel), 86,3 x 41 (wings) Wallraf-Richartz Museum, Cologne The painter of this altarpiece, the central panel of which depicting the extended Holy Family ('Holy Kinship') is referred to as The Elder Master of the Holy Kinship. , UNKNOWN MASTER, German , Triptych , 1401-1450 , German , painting , religious
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Artiste: unknow artist
unknow artist St Lazarus between Martha and Mary France oil painting reproduction


unknow artist St Lazarus between Martha and Mary France oil painting reproduction

ID de tableau::  65058
unknow artist
St Lazarus between Martha and Mary
Panel Museo L?zaro Galdiano, Madrid The artist of the panel is referred to as the Master of Perea. , UNKNOWN MASTER, Spanish , St Lazarus between Martha and Mary , 1451-1500 , Spanish , painting , religious
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Artiste: unknow artist
unknow artist The Holy Kinship Altarpiece France oil painting reproduction


unknow artist The Holy Kinship Altarpiece France oil painting reproduction

ID de tableau::  65060
unknow artist
The Holy Kinship Altarpiece
1505-10 Oak, 144 x 187 cm Wallraf-Richartz Museum, Cologne The central panel of the Holy Kinship Altarpiece depicts the Holy Kinship. The subject of Christ's relatives had been very popular from the beginning of the 15th century. On the left-hand wing are Sts Nicasius and Roch with the Cologne donor Nicasius Hackeney, who ran the fiscal administration of the imperial court; on the right are Sts Gudule and Elizabeth with the donor's wife, Christina (n?e Hardenrath). On the exterior of the wings are Sts Hermolaus, Achatius and his followers on the left, and on the right Sts Cecilia, Genevieve, Helen and Catherine, each with members of the donor's family. The altar was probably a donation to the Dominican convent of St Achatius where one of the donor's daughters was a nun. The artist of the altarpiece is referred to as the Master of the Holy Kinship. , UNKNOWN MASTER, German , The Holy Kinship Altarpiece (central panel) , 1501-1550 , German , painting , religious
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Artiste: unknow artist
unknow artist The Holy Kinship France oil painting reproduction


unknow artist The Holy Kinship France oil painting reproduction

ID de tableau::  65061
unknow artist
The Holy Kinship
1410-40 Tempera on oak, 85,3 x 95 cm Wallraf-Richartz Museum, Cologne The depiction of the extended Holy Family ('Holy Kinship') on the central panel of the triptych introduces one of the most popular new themes for paintings at the beginning of the 15th century. All Christ's relatives are gathered together, following a description in the Golden Legend of 1263-73 by Jacopo da Voragine. , UNKNOWN MASTER, German , The Holy Kinship , 1401-1450 , German , painting , religious
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