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Tableau::. All people >> religious

Search For Oil Paintings Online Now !
Précédent  445  446  447  448  449  450  451  452  453  454  455  456  457  458  459  460  461  462  463  464  Prochaine
Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Crucifixion Triptych France oil painting reproduction


WEYDEN, Rogier van der Crucifixion Triptych France oil painting reproduction

ID de tableau::  63926
WEYDEN, Rogier van der
Crucifixion Triptych
1445 Oil on oak panel, 101 x 70 cm Kunsthistorisches Museum, Vienna The painting is the central panel of the Crucifixion Altarpiece. The altarpiece was a single panel with two narrow side pictures which were later cut.Artist:WEYDEN, Rogier van der Title: Crucifixion Triptych (central panel) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-866554.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Seven Sacraments Altarpiece France oil painting reproduction


WEYDEN, Rogier van der Seven Sacraments Altarpiece France oil painting reproduction

ID de tableau::  63928
WEYDEN, Rogier van der
Seven Sacraments Altarpiece
1445-50 Oil on oak panel Koninklijk Museum voor Schone Kunsten, Antwerp The detail shows the Eucharist from the central panel of the triptych.Artist:WEYDEN, Rogier van der Title: Seven Sacraments Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-486972.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Bladelin Triptych France oil painting reproduction


WEYDEN, Rogier van der Bladelin Triptych France oil painting reproduction

ID de tableau::  63930
WEYDEN, Rogier van der
Bladelin Triptych
1445-50 Oil on oak panel, 91 x 40 cm Staatliche Museen, Berlin The scenes in the side panels depict the advent of the Son of God on earth being announced in miraculous visions to the Roman emperor Octavian (Augustus) and to the three Magi. The Christ Child receives the homage of both East and West, that is to say the whole world as displayed in the panorama of the open triptych: the West is symbolized by the Roman empire - which was regarded as the direct predecessor of the medieval Holy Roman Empire - the East by the Magi, and between them stands the Holy Land with Bethlehem, to the medieval mind the centre and navel of the world. The three pictures in the triptych are united not so much by their background setting as by the figures. These are all on the same scale, and are linked to create a compositional line running through the three panels: arranged on both wings in a semi-circle turning in, and on the central panel in a semi-circle turning out, they curve rhythmically in an undulating line - a good example of Rogier's "sense of rhythm." The panels are also linked by the skillful distribution of colour, with the red robe of the oldest king on the right, for instance, echoing the red garments of St. Joseph on the central panel, while the red-patterned gold brocade worn by the central king is matched by Octavian's robe on the opposite wing. These mirror-image correspondences are slightly shifted toward the central axis, and there are many other interrelating colour notes. However, the colour also has other meanings. On the wings, where it is distributed in smaller areas over the surface of the picture and is thus more varied, it illustrates the secular magnificence of earthly rulers, while on the central panel the symphony of red, white and black makes a nobler and sterner effect. Symbolically, white stands for Mary's virginity, while the black worn by the donor was the fashionable colour of the upper classes of the time. The colour composition of the altarpiece as a whole, constantly balancing its slight asymmetries, is well calculated, although ultimately the impression is of rather too regular a kind of diversity, without deep meaning or resonance.Artist:WEYDEN, Rogier van der Title: Bladelin Triptych (right wing) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-253674.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der St Columba Altarpiece France oil painting reproduction


WEYDEN, Rogier van der St Columba Altarpiece France oil painting reproduction

ID de tableau::  63932
WEYDEN, Rogier van der
St Columba Altarpiece
1455 Oil on oak panel, 138 x 70 cm Alte Pinakothek, Munich The picture shows the Presentation in the Temple, the right panel of the altarpiece executed for the St Columba church in Cologne. According to Mosaic law, all firstborn sons had to be presented to God in the temple. When Mary and Joseph carried out this duty, the pious old Simeon recognized the child as the Redeemer whom, according to a prophecy, he was to see before he died. He thanks God with the words, "Lord, now lettest thou they servant depart in peace, according to thy word." The old prophetess Anna, who also recognizes the Christ, is standing behind Simeon. The servant behind Mary is holding two doves for the sacrifice of purification that followed childbirth.Artist:WEYDEN, Rogier van der Title: St Columba Altarpiece (right panel) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-362833.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Miraflores Altarpiece France oil painting reproduction


WEYDEN, Rogier van der Miraflores Altarpiece France oil painting reproduction

ID de tableau::  63935
WEYDEN, Rogier van der
Miraflores Altarpiece
1440 Oil on oak panel Staatliche Museen, Berlin The scene on the right panel is the only one in this altarpiece that illustrates two events at once: in the foreground we see Christ appearing to the Virgin Mary, while in the background we can see the immediately preceding event, His resurrection on Easter morning. The artist may have thought it necessary to explain the main scene, which was not often painted. The winding road from the tomb to the building in the foreground makes it clear that Christ went to his mother at once, so that she would be the first to experience the joy of reunion with him.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-328398.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Seven Sacraments France oil painting reproduction


WEYDEN, Rogier van der Seven Sacraments France oil painting reproduction

ID de tableau::  63936
WEYDEN, Rogier van der
Seven Sacraments
1445-50 Oil on oak panel, 119 x 63 cm Koninklijk Museum voor Schone Kunsten, Antwerp The right wing of the triptych represents the Holy Order, the Matrimony and the Extreme Unction.Artist:WEYDEN, Rogier van der Title: Seven Sacraments (right wing) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-299739.jpg)

Artiste: WEYDEN, Rogier van der
WEYDEN, Rogier van der Seven Sacraments Altarpiece France oil painting reproduction


WEYDEN, Rogier van der Seven Sacraments Altarpiece France oil painting reproduction

ID de tableau::  63937
WEYDEN, Rogier van der
Seven Sacraments Altarpiece
1445-50 Oil on oak panel Koninklijk Museum voor Schone Kunsten, Antwerp The detail of the right panel shows the ordination, the marriage, and the extreme unction. Each sacrament has a side chapel to itself in this panel, so that the architecture a Gothic church ingeniously lies at the heart of the pictorial structure. The range of sacraments begins with the first to be performed in life, baptism, in the foreground of the left panel, and moves on to the last, seen here in the foreground. While the dying man receives extreme unction, his wife stands beside the bed with a candle to place it in his hand at the moment of death.Artist:WEYDEN, Rogier van der Title: Seven Sacraments Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious
(new21/WEYDEN, Rogier van der-386799.jpg)

Artiste: GIOVANNI DA MILANO
GIOVANNI DA MILANO The Birth of the Virgin France oil painting reproduction


GIOVANNI DA MILANO The Birth of the Virgin France oil painting reproduction

ID de tableau::  63939
GIOVANNI DA MILANO
The Birth of the Virgin
1365 Fresco Rinuccini Chapel, Santa Croce, Florence Agnolo Gaddi, Giovanni da Milano, and Altichiero da Zevio competed in the development of Giotto's figurative space. The plane of the wall as the foremost level of fictive space, combined with perspective in depth, remains. But the paintings of the Rinuccini Chapel in Santa Croce in Florence in 1365 by Giovanni da Milano points up the further possibilities of pictorial architecture in its ornamental framing. The compressed space loses its importance as architectural space and gains in decorative elegance, though even here the figures in the story of the Virgin act within an architectural stageset. The poetry of their movements reflects the refined patterns painted on the frame.Artist:GIOVANNI DA MILANO Title: The Birth of the Virgin Painted in 1301-1350 , Italian - - painting : religious
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Artiste: JORDAENS, Jacob
JORDAENS, Jacob Christ Driving the Merchants from the Temple France oil painting reproduction


JORDAENS, Jacob Christ Driving the Merchants from the Temple France oil painting reproduction

ID de tableau::  63940
JORDAENS, Jacob
Christ Driving the Merchants from the Temple
1650 Oil on canvas, 288 x 436 cm Musee du Louvre, Paris , Artist: JORDAENS, Jacob , Christ Driving the Merchants from the Temple , 1651-1700 , Flemish , painting , religious
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Artiste: BRUEGHEL, Pieter the Younger
BRUEGHEL, Pieter the Younger Village Feast France oil painting reproduction


BRUEGHEL, Pieter the Younger Village Feast France oil painting reproduction

ID de tableau::  63941
BRUEGHEL, Pieter the Younger
Village Feast
114 x 161 cm Museum of Fine Arts, Budapest One of the best works of the artist. The composition is similar to that of the Children's Games by Pieter Bruegel the Elder. , Artist: BRUEGHEL, Pieter the Younger , Village Feast , 1551-1600 , Flemish , painting , genre
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Artiste: unknow artist
unknow artist Deposition France oil painting reproduction


unknow artist Deposition France oil painting reproduction

ID de tableau::  63942
unknow artist
Deposition
1460 Oil on oak panel, 57 x 52 cm Alte Pinakothek, Munich With the body of Christ still on the Cross high above the scene, this picture, presumably painted in Brussels, shows the Deposition in a more traditional way than Rogier's famous version (Prado, Madrid). On the right are the centurion who recognized the Son of God, and his followers; it is not clear which of the two figures in the foreground is actually the centurion, since they are both making gestures that would be suitable for him. The artist who painted this small Deposition used figures from Rogier van der Weyden's great painting for the body of Christ and for Nicodemus, and drawing on other works by Rogier van der Weyden and by the Master of Flemalle for the remaining figures. The group of the Virgin and St John, for instance, was taken from the Seven Sacraments Altarpiece (Museum of Fine Arts, Antwerp). However, the painter of this Deposition fails to unite the groups of figures successfully. The small panel of the Deposition, certainly not painted before the middle of the century, seems to have found its way quite early to southern Germany, where parts of it were already being copied in 1465 (Hof Altarpiece by Hans Pleydenwurff in the Alte Pinakothek, Munich). Like the composition of the Descent from the Cross, probably of roughly the same date, it is a relatively early example of the work of independent artists who picked up ideas from Rogier, imitating his style as best they could. , Artist: UNKNOWN MASTER, Flemish , Deposition , 1451-1500 , Flemish , painting , religious
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Artiste: unknow artist
unknow artist Last Judgment anf the Wise and Foolish Virgins France oil painting reproduction


unknow artist Last Judgment anf the Wise and Foolish Virgins France oil painting reproduction

ID de tableau::  63944
unknow artist
Last Judgment anf the Wise and Foolish Virgins
1450s and c. 1480 Oil on oak panel, 65 x 35 cm Staatliche Museen, Berlin The artist obviously took Rogier van der Weyden's Beaune Altarpiece as the model for his smaller-scale composition., but "corrected" it by adding the traditional little demons tormenting the damned. The representation of the Wise and Foolish Virgins, below, is a later addition on an extra piece of wood, by a Brussels painter of the last quarter of the 15th century. , Artist: UNKNOWN MASTER, Flemish , Last Judgment anf the Wise and Foolish Virgins , 1451-1500 , Flemish , painting , religious
(new21/unknow artist-979724.jpg)

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