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Tableau:: people

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Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti The Delphic Sibyl oil painting picture wholesale


Michelangelo Buonarroti The Delphic Sibyl oil painting picture wholesale

ID de tableau::  62916
Michelangelo Buonarroti
The Delphic Sibyl
1509 Fresco Cappella Sistina, Vatican In the center of the face - seen frontally, half in the light and half in a moderate shadow - there are traces of a crossincised to mark the vertical axis of the oval and the alignment of the eyes. Artist: MICHELANGELO Buonarroti Title: The Delphic Sibyl (detail) Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-995227.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti The Erythraean Sibyl oil painting picture wholesale


Michelangelo Buonarroti The Erythraean Sibyl oil painting picture wholesale

ID de tableau::  62917
Michelangelo Buonarroti
The Erythraean Sibyl
1509 Fresco Cappella Sistina, Vatican Artist: MICHELANGELO Buonarroti Title: The Erythraean Sibyl (detail) Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-568735.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62918
Michelangelo Buonarroti
Ignudo
Vatican The picture shows the Ignudo at the lower left corner of the Sacrifice of Noah (above the Erythraean Sibyl). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-548833.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62919
Michelangelo Buonarroti
Ignudo
Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Sacrifice of Noah (above the prophet Isaiah). The ignudi in the third bay are painted with greater fluency and the modeling is more delicate - with greater attention being paid to the reflections and the subtle effects of light and shade - than those of the first bay. Moreover, their poses are no longer wholly symmetrical. In fact, in the two figures on the left, only the lower part of the body is symmetrical, while the twisting of the bust and the head are expressions of contrapposto. The right arms of both are, however, extended toward the centre in order to hold the ribbon supporting the medallion. On the other hand, the ignudi on the right lean out toward the exterior, and the only difference between them appears to be the position of their arms. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-348339.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62920
Michelangelo Buonarroti
Ignudo
1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Creation of Eve (above the prophet Ezekiel). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-926227.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62921
Michelangelo Buonarroti
Ignudo
1509-10 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower right corner of the Creation of Eve (above the Cumaean Sibyl). In the four ignudi of the fifth bay who hold the yellow ribbons interwoven with the bronze-coloured medallions, the use of contrapposta with a variety of gestures and poses has now been replaced the symmetrical arrangement of figures. The relationship between the figures, placed opposite each other in pairs, is based on increasingly free and complex rhythmical correspondences, with rotating movements and pronounced bendings of the limbs. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-943953.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti The Cumaean Sibyl oil painting picture wholesale


Michelangelo Buonarroti The Cumaean Sibyl oil painting picture wholesale

ID de tableau::  62922
Michelangelo Buonarroti
The Cumaean Sibyl
1510 Fresco, 375 x 380 cm Cappella Sistina, Vatican The Cumaean Sibyl oppresses by the sheer weight of her bulk and a commanding ugliness. With the open folio bound in green and her two genii gazing at its pages over her shoulders she has become one of the Fates, a towering shape with human features. Whenever Sibyls are mentioned, the Cumaea at once comes to mind. In the art of Michelangelo and other painters her powerful presence overshadows every other Sibyl, even her younger and more beautiful sisters, such as the Delphica. Artist: MICHELANGELO Buonarroti Title: The Cumaean Sibyl Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-426387.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti he Persian Sibyl oil painting picture wholesale


Michelangelo Buonarroti he Persian Sibyl oil painting picture wholesale

ID de tableau::  62923
Michelangelo Buonarroti
he Persian Sibyl
1511 Fresco, 400 x 380 cm Cappella Sistina, Vatican Primordial, totally detached, her eyes focused on things outside this world, and she herself almost a cave of mystery - such is the Persica of the Sistine Chapel. Something of Leonardo's chiaroscuro has crept into her composition. She is a presence still more powerful and secretive, magical and abstracted than the Cumaean Sibyl. Artist: MICHELANGELO Buonarroti Title: The Persian Sibyl Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-867846.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62924
Michelangelo Buonarroti
Ignudo
Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower left corner of the Separation of the Earth from the Waters (above the Persian Sibyl). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-842425.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62925
Michelangelo Buonarroti
Ignudo
1511 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the lower right corner of the Separation of the Earth from the Waters (above the prophet Daniel). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-385765.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Ignudo oil painting picture wholesale


Michelangelo Buonarroti Ignudo oil painting picture wholesale

ID de tableau::  62926
Michelangelo Buonarroti
Ignudo
1511 Fresco Cappella Sistina, Vatican The picture shows the Ignudo at the upper right corner of the Separation of the Earth from the Waters (above the prophet Daniel). The poses of the pairs of ignudi become gradually more dynamic and agitated. The two above the Persian Sibyl (at the left) bend backward in opposite directions, while one of those above the prophet Daniel (at right) bends forward, casting an apprehensive glance at the viewer, and the other raises his arm in a movement reminiscent of Hellenistic sculptures of dancing fauns. Artist: MICHELANGELO Buonarroti Title: Ignudo Date: 1501-1550 Italian , painting : religious
(new21/Michelangelo Buonarroti-654223.jpg)

Artiste: BOTTICELLI, Sandro
BOTTICELLI, Sandro Illustration to the Divine Comedy oil painting picture wholesale


BOTTICELLI, Sandro Illustration to the Divine Comedy oil painting picture wholesale

ID de tableau::  62927
BOTTICELLI, Sandro
Illustration to the Divine Comedy
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
(new21/BOTTICELLI, Sandro-485369.jpg)

Artiste: BOTTICELLI, Sandro
BOTTICELLI, Sandro Paradise oil painting picture wholesale


BOTTICELLI, Sandro Paradise oil painting picture wholesale

ID de tableau::  62930
BOTTICELLI, Sandro
Paradise
Canto XXX 1490s Drawing on parchment, 320 x 470 mm Staatliche Museen, Berlin In the Empyrean, the upper heaven, Dante and Beatrice are carried upwards in a river of light, from which fly sparkles which Botticelli depicts as little putti. They disappear in the meadows of flowers along the banks on either side. The one on the right had not been retraced with ink and was a preliminary drawing carried out in silver point. Artist: BOTTICELLI, Sandro Painting Title: Paradise, Canto XXX , 1451-1500 Painting Style: Italian , graphics Type: other
(new21/BOTTICELLI, Sandro-642466.jpg)

Artiste: CERQUOZZI, Michelangelo
CERQUOZZI, Michelangelo Eleazar oil painting picture wholesale


CERQUOZZI, Michelangelo Eleazar oil painting picture wholesale

ID de tableau::  62932
CERQUOZZI, Michelangelo
Eleazar
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Eliud begat Eleazar. Eleazar begat Matthan. Matthan begat Joseph." (Matthew 1:15) Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts. Behind him are visible the heads of a woman and a child. In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. This lunette was probably the first to be frescoed by Michelangelo. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan , 1501-1550 Painting Style: Italian , , religious
(new21/CERQUOZZI, Michelangelo-367437.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Eleazar oil painting picture wholesale


Michelangelo Buonarroti Eleazar oil painting picture wholesale

ID de tableau::  62933
Michelangelo Buonarroti
Eleazar
1511-12 Fresco Cappella Sistina, Vatican In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-433289.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Eleazar oil painting picture wholesale


Michelangelo Buonarroti Eleazar oil painting picture wholesale

ID de tableau::  62934
Michelangelo Buonarroti
Eleazar
1511-12 Fresco Cappella Sistina, Vatican Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts; his torso is seen frontally; his legs are crossed; his left arm is outstretched, his wrist lying across his raised right ankle, while his right arm, resting on a yellow cushion, is folded, his hand touching his shoulder. Behind him are visible the heads of a woman and a child. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-362774.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Jacob oil painting picture wholesale


Michelangelo Buonarroti Jacob oil painting picture wholesale

ID de tableau::  62935
Michelangelo Buonarroti
Jacob
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Matthan begat Jacob. Jacob begat Joseph, the husband of Mary, of whom was born Jesus, who is called Christ." (Matthew 1:15-16) At the top of the entrance wall of the chapel, to the right of the viewer, next to the Eleazar-Matthan lunette, there is the one concluding the genealogical sequence of the ancestors of Christ in the Gospel of St Matthew. Sullen and perplexed, wrapped in a huge yellow ochre cloak and seemingly withdrawn, the old man - generally believed to be Jacob - dominates the family group on the left due to his expressive power and the quality of the colour. Similarly, on the right, the female figure, usually thought to be Mary, is more prominent than the other members of the Holy Family and the child holding a mirror. Behind Mary in the shadow, Joseph holds the Christ child, who stretches out an arm toward the round mirror held out at the height of his face by a naked female child, possibly an allegory of the Church. The compositional schemes of the two neighbouring lunettes correspond: in both there is a female figure in the foreground seen in full, or half, profile and facing the outer wall of the chapel, and a male figure, on the internal side, with his torso seen frontally. Artist: MICHELANGELO Buonarroti Painting Title: Jacob - Joseph , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-957236.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Jacob oil painting picture wholesale


Michelangelo Buonarroti Jacob oil painting picture wholesale

ID de tableau::  62936
Michelangelo Buonarroti
Jacob
1511-12 Fresco Cappella Sistina, Vatican Mary, wrapped in a rose mantle which covers her yellow dress and its greenish shadows, wearing an exotic hairdress, turns toward the spectator. She is more prominent than the other members of the Holy Family behind her in the shadow: Joseph and the Christ child. Artist: MICHELANGELO Buonarroti Painting Title: Jacob - Joseph (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-635559.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Achim Eliud oil painting picture wholesale


Michelangelo Buonarroti Achim Eliud oil painting picture wholesale

ID de tableau::  62937
Michelangelo Buonarroti
Achim Eliud
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Zadok begat Achim. Achim begat Eliud. Eliud begat Eliazar." (Matthew 1:14-15) This is the first lunette on the south wall. The identity of the figures is not certain, and it is not possible to establish which of the two, Achim or Eliud, is the old man with a child next to him on the left, and which the child held by his mother on the right. The elaborate pose of the old man is very carefully constructed with vigorous twisting of the limbs. The sculptural effect of the figure is largely due to the prominence of the knees and the crossed arms, with the right elbow projecting notably and the hands folded in toward the body. This effect is heightened by the magnificent arrangement of the drapery, especially on the left knee and over the edge of the stone seat. The meditative attitude of the old man is counterbalanced on the other side of the lunette by the fascinating spontaneity of the woman's gestures. Turning toward her child, she stretches out her arm to take some food from a plate placed on a stool in the foreground. Artist: MICHELANGELO Buonarroti Painting Title: Achim - Eliud , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-443835.jpg)

Artiste: Michelangelo Buonarroti
Michelangelo Buonarroti Achim Eliud oil painting picture wholesale


Michelangelo Buonarroti Achim Eliud oil painting picture wholesale

ID de tableau::  62938
Michelangelo Buonarroti
Achim Eliud
1511-12 Fresco Cappella Sistina, Vatican Turning toward her child, the young woman stretches out her arm to take some food from a plate placed on a stool in the foreground. Artist: MICHELANGELO Buonarroti Painting Title: Achim - Eliud (detail) , 1501-1550 Painting Style: Italian , , religious
(new21/Michelangelo Buonarroti-269446.jpg)

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