huile sur la toile, vraie saveur de vieux maîtres.

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Italian Early Renaissance Painter, ca.1430-1495
CRIVELLI, Carlo Pieta 124 oil painting artist


CRIVELLI, Carlo Pieta 124 oil painting artist

ID de tableau::  6330
Pieta 124
Pieta 124 (English)
CRIVELLI, Carlo7.jpg
Huiler sur le bois, Galerie d-Art, Vatican
Oil on wood Pinacoteca, Vatican (English)

CRIVELLI, Carlo St Jerome and St Augustine dsfg oil painting artist


CRIVELLI, Carlo St Jerome and St Augustine dsfg oil painting artist

ID de tableau::  6331
St Jerome et St Augustin dsfg
St Jerome and St Augustine dsfg (English)
CRIVELLI, Carlo8.jpg
c. 1490 La détrempe sur le bois, 187 x 72 cm Galerie de l-Accademia, Vénise
c. 1490 Tempera on wood, 187 x 72 cm Gallerie dell'Accademia, Venice (English)

CRIVELLI, Carlo Virgin and Child dfg oil painting artist


CRIVELLI, Carlo Virgin and Child dfg oil painting artist

ID de tableau::  6332
Vierge et Enfant dfg
Virgin and Child dfg (English)
CRIVELLI, Carlo9.jpg
1490s La détrempe sur le panneau, Victoria et Albert Musée, Londres
1490s Tempera on panel Victoria and Albert Museum, London (English)

CRIVELLI, Carlo Virgin and Child Enthroned sdf oil painting artist


CRIVELLI, Carlo Virgin and Child Enthroned sdf oil painting artist

ID de tableau::  6333
Vierge et Enfant Intronisé sdf
Virgin and Child Enthroned sdf (English)
CRIVELLI, Carlo10.jpg
autour de 1476 Panneau, 106,5 x 55,3 cm Le Musée de Beaux-Arts, Budapest
around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest (English)

CRIVELLI, Carlo Virgin and Child Enthroned around oil painting artist


CRIVELLI, Carlo Virgin and Child Enthroned around oil painting artist

ID de tableau::  64696
Virgin and Child Enthroned around
new22/CRIVELLI, Carlo-457426.jpg
1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious

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