Thingeyri
Mademoiselle Caroline Riviere -05-
An Elderly Couple cdfg
Herdsman with Cows by a River
St Peter and Cornelius the Centurion dfg
Garden with Figures on a Terrace
The General Duke of San Miguel
Yellow field
Beach near Scheveningen with Fish-Seller
Mass of St.Fohn of Matha
yahoo photo album
Still life with flowers -07-
Male Torso
Orphan Girl at the Cemetery -45-
John James Audubon
Red Roofs-Village Cornet,Impression of W
Portrait of Maurits Huygens
i am Half-Sick of Shadows said the Lady
Still life of a basket of apples,grapes,
Triumph of Curch over Fury,Discord,and H
The Blue Kimono
Cosimo Rosselli and Assistants,Moses rec
Two sisters
Mountprospect
Fmily Protrait
Marescalca, Pietro
Romeoville
Portrait of a Cardinal
scenery photo
age dutch golden in life still trade
The Supper at Emmaus ar
Ce qui allume l-amour l-eteint ou le phi
Lev Kamenev
Page from the Qu-ran
Barnescity
Blind Man Playing the Guitar
Francisco Lezcano
The Quarry
Jeanne Hebuterne
Portrait of the Emperor Sigismund
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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