The Spirit of 76
Ceadir Lunga
Wheat Field With Cypresses
Three Windows Tower and round ring
The Romans of the Decadence
St. George and the Dragon at
Mountcrestedbutte
Fray Hortensio Felix Paravicino
The Bodmer Oak,Forest of Fontainebleau
Philip IV in Brown and Siver -01-
White-Tailed Gnus
Vladimir and Rogneda
Spring Flowers ddd
The Sheep-Shearers -nn04-
Villin Player at the Window -35-
The Daughters of Colonel Thomas Carteret
Sir Peter Parker
Negotiator the Bay Horse in a Landscape
Dancers Climbing the Stairs
Old Church at Ranchos, New Mexico
Still life with mackerels,Lemons and Tom
The Madonna and Child with the Birth of
Humboldthill
The Prodigal Son dg
Last miracle child revived by the Deacon
Crucifixion
Port-Ilic
Market Scene_a
wood door frame
Nicolaus Knupfer
Vermilion
Monument of Francesco Foscari fgd
Peasants Making Merry in a Tavern
The Knight, the Young Girl, and Death dd
The Virgin Annunciate
The Golden Age-left Panel-
Fra Angelico,Ordination of St Lawrence -
Gustav Klimt
Vevay
Avera
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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