claude monet impressionism painting Arvada Mme. Georges Bizet - Genevieve Halevy, L Joseph Heintz Village Festival Troy Lilly Ceres Enthroned THULDEN, Theodor van The Coronation of the Virgin, detail- th Dejeuner sur I-herbe -09- Midday in the Environs of Moscow Bafra The Lamentation of Christ -05- The Return from Market Communion with the Infinite -19- View of Osterbro from Dosseringen The Nativity and Adoration of the Shephe Ordino Portrait of the Artist Mikhail Matyushin Frederic Remington blackbird beatles calf stretcher graphic design The Mystic Wood The Maison Carree at Nimes Coup de Soleil -35- Weaver near an Open Window -nn04- Still-Life with Cheesesv sdd What the water gave me MAINO, Fray Juan Bautista Southnaknek painting by van gogh View of Marly-le-Roi-Sunshine The Duke of Urbino SALIMBENI, Ventura Myrtle -46- The Ambassadors Return to the English Co Four Inhabitants of Mexico A Hilly landscape with a Horse-Drawn car
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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