Madonna and Saints whh
Market Place ,Leominster -47-
Madame Panckoucke -05-
Tulip Fields with Windmill
Sacred and Profane Love with Anteros,Ero
Pierrot also Known as Gilles -05-
abstract white
Madame Camus en rouge
Daltongardens
Wallace
MAZZOLA BEDOLI, Girolamo
The Poplars
van gogh and gauguin the studio of the s
Several Window
The Church of Santa Maria degli Angeli n
jean Huber
Farm Scene
Mechanic
The Treaty of Penn with the Indians.
Jean Baptiste Weenix
Dekalb
Bathers
brooklyn new oil painting york
Haymaking or Fuly -01-
Autumn Day at Sokolniki
The Canal du Loing at Moret
Still Life with Three Bottles and Earthe
The Mystic Marriage of st Catherine of S
The Virgin with the Rabit -05-
Mont Sainte-Victoire,Seen from Les Lauve
The Rape of the Sabine Women sg
Skating at Carnival
Portrait of Princess Theodule de Grammon
St. Sebastian, Martyr
Grape with Walnut d
Portrait of Sir Thomas Kytson
Daniel Seghers
Assumption of the Virgin
Atalanta-s Race-and Nausicaa and her Mai
Astronomer by Candlelight
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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