Portrait of a Woman
make penis stretcher
Susanna and the Elders -33-
Aert van der Neer
supplier
Hobart
glass
Onions and Bottles
Winter Landscape
St.Zenobius Raising a Boy from the Dead
impression
TENIERS, David the Elder
Vase with Red Gladioli -nn04-
Iola
Sir John Gilbert,RA,PRWS
Joseph and his Brothers t
Lady in a Garden
great impressionism master master renoir
Altarpiece of Sts Thomas and Matthias
The Virgin and Child between st James an
Grassvalley
BRAY, Dirck
The madonna and child with the infant sa
Lakevillage
Dadecitynorth
america creature creepiest guide mysteri
Coolidge
George Hitchcock
Tamalpais-homesteadvalley
Portrait of an officer,half-length,weari
Luigi Querena
Seated Girl Facing Front -12-
Portrait of a landy,said to be marie de
La Rochelle -11-
Bordighera
Family Group
The Pieta of St-Germain-des-Pres -05-
Benton
Seminole
Pilgrims Going to Mecca
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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