Moonlight Night near Rugen -450 KONRAD von Soest Mew Flowers in a Vase fg The Muses- Clio, Euterpe and Thalia St Augustine-s Vistion of the Christ View of the Herengracht, Amsterdam End of Village sd Hammocks Charles V, Seated Sunflowers The Port of Algiers Losmolinos The Gypsy Girl Portrait of Lupita Morillo Beecher Reclining Nude -Le Grand Nu- Castleton Sunday Afternoon on the Island of La Gra Penryhn Slate Quarry Smokerise about history of impressionism painting View in Windsor Great Park Nograd Pallas and the Centaur The Transfiguration The Bullfight Madonna and Child with St. Joseph and Sa The Penitent Apostle Peter Cymon and Iphigenia The Sense of Hearing abstract wallpaper Pietro Perugino,Consigning the Keys Pleasantgrove BUGIARDINI, Giuliano Wivenhoe Park, Essex Farmland Virgin and Child tt Guitar winebottle and cup Roses and Study of Gabrielle
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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