diy moulding Steamboatsprings Dagmar Mrs Samuel Quincy Disputation over the Trinity The Sisters Podgorica Portrait of Jean-Baptiste Belley Details of Autumn Sky about Valleys and Heroic Head DUMOUSTIER, Pierre An Architectural Caprice Madonna with Four Saints -08- Celis Thaxter-s Sitting Room -nn02- Pietro, Nicolo di Francois ler,roi de France Dearborn Maurice William Greiffenhagen Angels Worshipping 22 Lemons and Sugar Grape Leaf Still life of fowl in a farmyard,with a Le Pont de I-Europe,Gate Sate Saint-Laza Madonna and Child with Two Angels Kuhn Justus Engelhardt Vatican City View of Arles with Trees in Blossom -nn0 Still-life with Chessboard -The Five Sen Charles Towneley-s Library in Park Stree Valrico Portrait of Ginevra d-Este -05- Storrs detail Landscape with Saint Matthew and Lathrop Peasant Woman Sewing in Front of a Windo The Itinerant Musicians Listening to the Sphinx The Portrait of father Pasadena Farinata degli Uberti -08-
|
James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
|