Whitehall Stairs on June 18, 1817 View of Lake George from Long Island Madame de Sorquainville -05- Bia Antoine Clement, The Great Hunter hand-pa abstract paintings Woman Playing the Lute Versailles View of Zaragoza set The Flower Seller The Age of the Worker -05- The Mystic Marriage of St. Catherine frederic Bazille Head of a Peasant Woman with Dark Cap -n Louis XIV,King of France Earthquake in the Crimea Longwood The Hay Wain-exeterior wings,closed- The Concert sg Miamilakes Antonio and Piero del Pollaiolo Martyrdo The Prospect James Walter Robert Linton The Ghent Altarpiece- The Donor -detail- Portrait of Achille Lerminiaux The Vale and Temple of Segesta The Toilett of Venus Saguache Trakai The demon tumbled Venus Asking Vulcan for Arms for Aeneas Mary Magdalene Avenue of Chestnut Trees Nicolaes Van Verendael FOPPA, Vincenzo Arthur Bowen Davies The Departure of St Ursula -08- Landscape with Sheep -17- Lappi Clowness Cha-u-Kao
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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