St Cecilia
Still Life with Globe, Lute, and Books
Lament for Christ Dead,with St Jerome,St
Golden Autumn-village and small town
Vrapciste
Portrait of a Man -33-
The Seine at Argenteuil
The Merry Go Round
View of the Villa Cagnola at Gazzada nea
Prairiecreek
La Primavera -39-
Still life with mackerels,Lemons and Tom
Women with Curlers
Boy with a Basket of Fruit f
stretched canvas wholesale
The Spirit of Samuel Called up before Sa
Factories Seen from a Hillside in Moonli
The Virgin and Child
The Lorrain Chair -Chair with Peaches- -
King Charles II of Spain
Study of Old Builings
Blue Trees -07-
The judgment of Paris
Seeing and Hearing the experiment
Swiss Landscape
Over the River
Shrimp fishers at Saint-Georges
Judith with the Head of Holofemes
Mont Sainte-Victoire
The Carpetbaggers
Jan miel
View of Ilfracombe,Devon
landscapes
Little rock
funky
The Studio Boat
Abendmahl
Ruma
Portrait of Hieronymus Holzschuher
The Presentation of the Virgin in the Te
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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