Portrait of Two Young Children Supper at Emmaus sf CAGNACCI, Guido Still-life with Rarities Nighttime Procession in Piazza San Marco Crucifixion -05- Reading the Will -09- Bowl with Sunflowers,Roses and other Flo Isles of Shoals Embrace -12- The girl wore cap Peale, Raphaelle Concert -detail- sag Sleep and his Half-Brother The Meal Coy The Great Red Dragon and the Woman Cloth Benozzo Gozzoli,Cavalcade of the Magi Petaluma King Cophetua and the Beggarmaid Mushroom Hunting Apollo and Daphne Lusavan Bus Exterior of the church dfg photo Pope Paul III,Cardinal Alessandro Farnes Altarpiece of the Virgin -detail- f The Apparition Outward Voyage of the Bucintoro to San N Foxfield FERRARI, Defendente Sigulda Arrival of the French Ambassador in Veni Presentation of the Medallion Portrait of Philip IV of Spain in Brwon View of Verona and the River Adige from Frank H Desch creature edge outer unidentified The Quarters behind Alresford Hall
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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